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On the other hand, we do undoubtedly meet with incidents and characters in the courtly shows which appear to belong to the style of the popular burlesque. A point of contact between the two traditions may be found in the commedie maggiaiuole, a sort of May-day shows also represented by the Rozzi, but of a more idealized character than the rustic drama proper.
These, however, are found in conjunction with idealized elements of courtly tradition, both in the dramatic eclogues themselves and more especially in the ecloghe maggiaiuole or May-day shows of the Congrega dei Rozzi.
"And what am I to say," she said, with her usual playfulness, "of the sad complaints that I have received the last few days from Miss Harcourt, that she does not know what has come to you, from Mons. Deville and Signer Rozzi?
The prologue relates how the first archimandrita of the academy, the title assumed by the president, here called Silvano, was driven out by his followers because of certain innovations he made, 'Alzando i Rozzi e deprimendo i buoni. This would seem to imply that the head of the Addiacciati was expelled for evincing too particular an interest in the Sienese society, a piece of literary gossip fairly borne out by the little we know of the events which led up to Firenzuola's departure from Prato.
The distribution, however, of these rustic eclogues never appears to have been very wide, and in later times they were chiefly confined to the representations of the famous Congrega dei Rozzi at Siena, though the activity of this society extended, it is true, far beyond the limits of its Tuscan home.
The contrast between the loving and the careless nymphs, and the episode of the latter being bound to a tree, appear to anticipate the later pastoral; while the introduction of Cupid as a dramatis persona carries one back to the mythological drama, and the rustic characters connect the piece with the plays of the Rozzi.
These shows became the special characteristic of the Rozzi society at Siena, in whose hands they soon developed into short realistic farces of low life, composed in dialectal verse and acted by members of the society at many of the courts of Italy.
For I should have kept my resolution and waited the six months, pain as it was, but one day about a week ago, mamma chanced to enter our study at the very instant that the poor man who so politely believed Mademoiselle Emmeline was too ill to appreciate his lessons was praising me up to the skies for my progress; that same day Signor Rozzi had informed mamma, with all the enthusiasm of his nation, that he was delighted to teach a young lady who took such pleasure in the study of poetry, and so capable of appreciating the beauties of the Italian poets.
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