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A vendor of melons drew his barrow close up to the battered old column in the Piazza Tolomei, and squatted down on the ground beside it. "Cocomeri! Fresc' e buoni!" he cried once or twice, and then rolled over and went to sleep. A peasant girl carrying a basket of eggs passed presently, and she looked wistfully at the fruit, but she did not disturb his slumbers.
And Dionigi da Diacceto, an excellent and honourable gentleman, who also kept the accounts of Giovan Francesco, like Niccolò Buoni, and was his friend, had from him many low-reliefs. There never was a man more amusing or fanciful than Giovan Francesco, nor one that delighted more in animals.
In the company of this common man the world was beautiful and direct. For the first time she felt the influence of Spring. His arm swept the horizon gracefully; violets, like other things, existed in great profusion there; "would she like to see them?" "Ma buoni uomini." He bowed. Certainly. Good men first, violets afterwards.
His arm swept three-fourths of the horizon. He should just think he did know where. He pressed his finger-tips to his forehead and then pushed them towards her, as if oozing with visible extract of knowledge. More seemed necessary. What was the Italian for "clergyman"? "Dove buoni uomini?" said she at last. Good? Scarcely the adjective for those noble beings! He showed her his cigar.
Sismondi, Hist. des Rép. Ital., vol. i. ch. v. "Ha saputo trovar modo che non uno, non pochi, non molti, signoreggiano, ma molti buoni, pochi migliori, e insiememente, un ottimo solo." Wisdom this, indeed. Daru, liv. xii. ch. xii. Daru, liv. xvi. cap. xx. We owe to this historian the discovery of the statutes of the tribunal and date of its establishment.
This magistracy remained for two whole months, always living and sleeping in the Palace; in order that, according to the notion of our ancestors, they might be able to attend with greater diligence to the affairs of the commonwealth, in concert with their colleagues, who were the sixteen gonfaloniers of the companies of the people, and the twelve buoni uomini, or special advisers of the Signory.
One of the alfieri laughed aloud. "O Romeo, sei bello!" "Son' felice!" he answered, and he kissed the waxen petals ardently. Olive softly clapped her hands together. "Is he not delicious! What an actor! Oh, Italy!" Now that the performance was over the alfieri strolled across the piazza to the barrow that was still drawn up by the column. "Cocomeri! Fresc' e buoni!"
But to return to his works: Giovan Francesco made a most beautiful Crucifix of wood, as large as life, for sending to France, but it was left with Niccolò Buoni, together with other things in low-relief and drawings, which are now in his possession, at the time when Rustici resolved to leave Florence, believing that it was no place for him and thinking by a change of country to obtain a change of fortune.
Giovan Francesco, then, not liking much to live in Florence after the expulsion of the Medici in the year 1528, left the charge of all his affairs to Niccolò Buoni, and went off with his young man Lorenzo Naldini, called Guazzetto, to France, where, having been made known to King Francis by Giovan Battista della Palla, who happened to be there then, and by Francesco di Pellegrino, his very dear friend, who had gone there a short time before, he was received very willingly, and an allowance of five hundred crowns a year was granted to him.
His ears were tickled with the sound of such phrases as these: ecco li buoni polastri, picioni, presuto, salcicie, and all the other fine things of the sort, which soldiers are fond of calling to mind when they return from those parts to Spain. In fine, he went away with as little thought or concern about what had passed between him and the beautiful Leocadia as though it had never happened.
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