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As Rossini composed an opera called Mahomet II., the amateur would say to his wife, sitting at his side: "What a pity it is that they will never give us at the Italiens any operas by Rossini but those we know. That is really fine music!" And Gambara would smile.
She has hammered out Beethoven, warbled the airs of Rossini and run through the exercises of Crammer. I had already taken pains to convince her of the excellence of music; to attain this end, I have applauded her, I have listened without yawning to the most tiresome sonatas in the world, and I have at last consented to give her a box at the Bouffons.
Rossini is the Canova of music, with much of the pretty, with nothing of the grand! The little party talked, however, of music, with an animation and gusto that charmed the melancholy Maltravers, who for weeks had known no companion save his own thoughts, and with whom, at all times, enthusiasm for any art found a ready sympathy.
In this respect Correggio might be termed the Rossini of painting. The melodies of the 'Stabat Mater' Fac ut portem or Quis est homo are the exact analogues in music of Correggio's voluptuous renderings of grave or mysterious motives.
Thus his latter years were spent in the society of the great artists and wits of Paris, revered by all, and recognized, after Beethoven's death, as the musical giant of Europe. Rossini, Meyerbeer, Weber, Schumann in a word, the representatives of the most diverse schools of composition bowed equally before this great name.
It was not till 1831 that the evidence of a strong individuality was given, for hitherto he had shown little more than a slavish imitation of Rossini. "Anna Bolena" was produced at Milan and gained him great credit, and even now, though it is rarely sung even in Italy, it is much respected as a work of art as well as of promise.
I will merely suggest the inquiry whether the greater powers possessed by Beethoven and Mozart, by Weber and Rossini, than by their fathers, were not due in larger measure to the inherited effects of daily exercise of the musical faculty by their fathers, than to inheritance, with increase, of spontaneous variations; and whether the diffused musical powers of the Bach clan, culminating in those of Johann Sebastian, did not result in part from constant practice; but I will raise the more general question How came there that endowment of musical faculty which characterizes modern Europeans at large, as compared with their remote ancestors.
New ideas and fashions come slowly into this city, where one does quite naturally what one's father and grandfather did; and a good instance of such contented conservatism is to be found in the music offered to these contented crowds, for they are still true to Verdi, Wagner, and Rossini, and with reluctance are experiments made among the newer men.
No, I am wrong; it distinguishes very well between bad painting and good, only it invariably prefers the bad. The language of speech we are always in progress of learning; and the language of music being similar to that of speech, it becomes easier to hear that Wagner is superior to Rossini than to see that Whistler is better than Leader.
We are sorry to tantalize our readers, but we have not space for the story that follows. It relates to the opera of Othello, which was composed by Rossini in an incredibly short time, whilst a prisoner in an apartment of Barbaja's house.
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