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Not to Paris, for there was the cause of all these ills; so they went straight southwards, through Normandy to the Loire, and saw the châteaux and churches from Orleans to Tours, famous for their Renaissance architecture and for the romance of their chivalric history. Amboise especially made a strong impression upon the languid and unwilling invalid.

Speaking from the religious point of view, the Renaissance was but a resurrection of paganism dying out before the presence of the Christian world, which was troubled and perplexed, but full of life and futurity.

In spite of all that has been done for Greek studies since the Renaissance, we are still unable to understand many aspects of the old Greek life: no modern mind can really feel, for example, those sentiments and emotions to which the great tragedy of Oedipus made appeal.

It is not indeed a matter of fundamental importance how we classify these men who stood on the border of two worlds, but it must be recognised that if in many respects Bacon is in advance of contemporaries who cannot be dissociated from the Renaissance, in other respects, such as belief in astrology and dreams, he stands on the same ground, and in one essential point which might almost be taken as the test of mental progress at this period Bruno and Campanella have outstripped him.

Whatever the Renaissance took from antique art, it was at first unable to assimilate either the moderation of the Greeks or the practical sobriety of the Romans. Christianity had deepened and intensified the sources of imaginative life; and just as reminiscences of classic style impaired Italian Gothic, so now a trace of Gothic is perceptible in the would-be classic work of the Revival.

Of such perfection, born of the rarest meeting of happy circumstances, Renaissance sculpture knows nothing.

"There he goes to paint the Last Supper," they said to each other; and we think of it as already the most famous picture in the world before it was begun. Every one knew that he had the most famous picture in his brain, that he was born to paint it, to initiate the High Renaissance; from Giotto onwards all the painters had been preparing for that, Florence herself had been preparing for it.

It is built in the manner of the Italian Renaissance and looks out over the bay. Like most buildings of the Western states, it is equipped with a moving-picture theatre, as well as rooms for visitors. Idaho's exhibits are chiefly in the Exposition palaces. The Nevada Building, designed by F. J. De Longchamps, of Carson, is another structure in the style of the French Renaissance.

Again, when the Renaissance had drawn to a close, far on in the sixteenth century, English poetry was reawakened; and again by Italy. This time it was completely wakened, and arose and slept no more. And one of the great and fruitful things achieved by English poetry in this its final awakening was to give to the world the new, the modern, perhaps the definitive, the final ideal of love.

One cannot fix a term to day or night, and the theory of the Renaissance as a kind of tropical dawn a sudden passage to light from darkness is not to be considered. The Renaissance was, and was the result of, a numerous and various series of events which followed and accompanied one another from the fourteenth to the beginning of the sixteenth centuries.