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Polycleitos was much praised by the Romans Quintilian and Cicero, who nevertheless, held that though he surpassed the beauty of man in nature, yet he did not approach the beauty of the gods. It was reserved for Pheidias to portray the highest conceptions of divinity of which the Greek mind was capable in his statues of Athene in the Parthenon at Athens, and the Zeus of Olympus.

His memory was prodigious, his eloquence seductive, and a power of extempore versification in the most difficult metres enhanced the charm of his conversation. He is referred to by Pliny, Quintilian, and Juvenal, and for a time superintended the studies of the young satirist Persius. Oratory, as may easily be supposed, had well nigh ceased.

Nor were these creative gestures quite unknown to QUINTILIAN, who has nobly compared them to the lashings of the lion's tail, rousing him to combat. Actors of genius have accustomed themselves to walk on the stage for an hour before the curtain was drawn, that they might fill their minds with all the phantoms of the drama, and so suspend all communion with the external world.

Quintilian has recommended it, especially in early years, when the limbs are the most pliable, for procuring that so necessary accomplishment, in the formation of orators gesture: observing withall, that where that is not becoming, nothing else hardly pleases.

"Pure and fine," the well-chosen epithets of Quintilian, are in themselves no slight praise; and the poems reveal a gentleness of nature and sincerity of feeling which make us think of their author less with admiration than with a sort of quiet affection.

To leave off vague and easy declamations against luxury and the decay of morals, and to fix on the great truth that bad education is responsible for bad life, was the first step towards a real reform. This Quintilian insists upon with admirable clearness.

First, the anonymous character of the work; and, secondly, the frequent imitations of it by Cicero in his De Inventione, an incomplete essay written when he was a young man. Who the author was is not agreed; the balance of probability is in favour of CORNIFICIUS. Kayser points out several coincidences between Cornificius's views, as quoted by Quintilian, and the rhetorical treatise to Herennius.

The same influence caused Cicero in his youthful De inventione to classify rhetoric as part of political science, and in the De oratore to make Antonius restrict rhetoric to public and communal affairs, although in another section he returns to Aristotle's "any subject" as the material of rhetoric as does Quintilian later.

I am not prepared, sir, to say that Quintilian is a drug, never having seen him; but I am prepared to say that man's translation is a drug, judging from the heap of rubbish on the floor; besides, sir, you will want any loose money you may have to purchase the description of literature which is required for your compilation."

He bestows a few vague words on the poetical character of Homer. He then proceeds to consider him merely as an orator. An orator Homer doubtless was, and a great orator. But surely nothing is more remarkable, in his admirable works, than the art with which his oratorical powers are made subservient to the purposes of poetry. Nor can I think Quintilian a great critic in his own province.