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I am a poor artist, that is the reason." This speech he uttered glibly, and, despite the extraordinary pronunciation, she understood it. She took his long hand, the fingers amazed her. He bent them back until they touched his wrist, and was proud of their flexibility. He walked to the dining-table and tossed its cover-cloth on a chair. Upon his two thumbs he went around it like an acrobat.
Nay, this humour of shortening our language had once run so far, that some of our celebrated authors, among whom we may reckon Sir Roger L'Estrange in particular, began to prune their words of all superfluous letters, as they termed them, in order to adjust the spelling to the pronunciation; which would have confounded all our etymologies, and have quite destroyed our tongue.
No less an authority than Cicero points out that pronunciation must vary widely according to the emotions to be expressed; that it may be broken or cut, with a varying or direct sound, and that it serves for the actor the purpose of color to the painter, from which to draw his variations.
Elocutionary training is essential. Daily drill in deep breathing, articulation, pronunciation, voice culture, gesture, and expression, are prerequisites to polished speech. Experienced public speakers of the best type know the necessity for daily practise. The mental training of the public speaker, so often neglected, should be regular and thorough.
If they attempted to do so, their native accents proved disagreeable to their fellow-citizens, who demanded, as an imperative condition, the peculiar intonation and pronunciation cultivated at the Royal Theatre in Copenhagen, as well as an absence of all native peculiarities of language.
Often in Roman literature Praeneste is mentioned as the typical country town. Her inhabitants are laughed at because of their bad pronunciation, despised and pitied because of their characteristic combination of pride and rusticity.
And of course Voltaire could not have meant any unkindness in denying his knowledge of French. But he was certainly wrong. Pope, in his presence, would decline to speak or to read a language of which the pronunciation was confessedly beyond him. Or, if he did, the impression left would be still worse.
In Pierre he is great, in Othello excellent, but in Zanga beyond all imitation. Over and above the distinctness of pronunciation, the dignity of attitude, and expression of face, his gestures are so just and significant, that a man, though utterly bereft of the sense of hearing, might, by seeing him only, understand the meaning of every word he speaks!
But they do ask that a man be audible; that his voice, if not melodious as a silver bell, be human; that his pronunciation, if not faultless, be distinct, and his delivery without painful hesitancy or torrential rush.
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