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Montaigne has also been censured for an apparent vanity, in making himself the idol of his lucubrations. If he had not done this, he had not performed the promise he makes at the commencement of his preface. An engaging tenderness prevails in these naïve expressions which shall not be injured by a version. "Je l'ay voué
We do not like to acknowledge that Americans are divided into two nations, as her prime minister once admitted of England. We are not willing, openly and professedly, to assume that American citizens are broken up into classes, even if we make that assumption the preface to a plea that the superior class has duties to the inferior.
As the examples, more or less analogous to that of Shakespeare, which I am about to adduce, concern great men who were born and were buried within the limits of our island, I will preface them by giving the very extraordinary cases of Schiller and Raphael, which illustrate both classes: those in which the object of the exhumation was to give the remains a more honourable sepulture, and those in which it was purely to resolve certain questions affecting the skull of the deceased.
When she heard Mary's key in the door she paused in front of the fireplace, and Mary found her standing upright, looking at once expectant and determined, like a person who has come on an errand of such importance that it must be broached without preface. Mary exclaimed in surprise. "Yes, yes," Katharine said, brushing these remarks aside, as if they were in the way. "Have you had tea?"
"Why, I will tell you frankly, my impression is, judging from his Preface, that he would not scruple to say that it is not in Scripture, but a scholastic addition."
A selection of scarce pamphlets found in the library was made by Oldys, and printed in 8 volumes, in 1746, under the title of the "Harleian Miscellany." Dr. Samuel Johnson wrote a preface to this work. The best edition of the "Harleian Miscellany" is that of Thomas Park, in 10 volumes, published between 1808-13.
It is for this reason that I have discussed the real nature of one phase of Irish sentiment which has been largely misunderstood, and it is for the same reason that I propose to preface my examination of the Irish Question with some reference to the cause and nature of the anti-English sentiment, for the long continuance of which I can find no other explanation than the failure of the English to see into the Irish mind.
I am now come to the third head or branch of my preface, viz. the instrumental author. For it is natural for some to say, Well, here is the people and work, but where and who was the man, the instrument? He that in this age was sent to begin this work and people?
In the preface to the Anecdotes of Painting written in 1762, Horace Walpole observes that this country had not a single volume to show on the works of its painters. "In truth," he continues, "it has very rarely given birth to a genius in that profession. Flanders and Holland have sent us the greatest men that we can boast.
The picture is the struggle of our own day in more acute form; the result, in the amended edition, is left open. "Who will win Ostrog or the People?" Mr Wells writes in the Preface referred to above, and answers: "A thousand years hence that will still be just the open question we leave to-day."
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