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"Was any name in the mouths of the soldiers?" he asked in a meaning voice. There was a hush for the answer. The sigh of the wind among the pines and the low lapping of the river swelled out louder in the silence. Balbus looked hard at his commander. "Two names were whispered from rank to rank," said he. "One was Ascenius Pollio, the General. The other was "
The whole narrative is strongly marked with circumstances calculated to affect credulity with ideas of national importance; and, to countenance the design, there is evidently a chasm in the Roman history immediately preceding this transaction and intimately connected with it. Livy was born at Patavium , and has been charged by Asinius Pollio and others with the provincial dialect of his country.
Behind the chariot paced two priests of Cybele, not Phrygian Eunuchs, but Roman officials, in their pontifical robes, a pair of dignified old senators, ex-consuls both, Vitrasius Pollio and Flavius Aper, full of self-importance.
Pollio Asinius thinks that they were not drawn up with much care, or with a due regard to truth; for he insinuates that Caesar was too hasty of belief in regard to what was performed by others under his orders; and that, he has not given a very faithful account of his own acts, either by design, or through defect of memory; expressing at the same time an opinion that Caesar intended a new and more correct edition.
Varius and Pollio seem for a moment to have revived the tragic muse under Augustus, but their works had probably nothing in common with this early but interesting drama; and in Imperial times tragedy became more and more confused with rhetoric, until delineation of character ceased to be an object, and declamatory force or fine point was the chief end pursued.
Velleius Paterculus has written its happier aspects: he describes how the "Pax Augusta," the "Roman Peace," delivered every quarter of the world from violence. He celebrates the return of Justice and prosperity, of order, of mild and equable taxation, of military discipline and magisterial authority. It is like the Saturnian Reign, which Virgil sings in the Eclogue "Pollio."
The Silvae were for the most part read or recited in public. We saw in a former chapter that Asinius Pollio first introduced these readings. His object in doing so is uncertain. It may have been to solace himself for the loss of a political career, or it may have been a device for ascertaining the value of new works before granting them a place in his public library.
Gaius Asinius Pollio, the first orator and critic of the period, and a magnificent patron of art and science, also composed tragedies more on the antique model of Accius and Pacuvius, in a dry and severe manner.
The state of letters at Rome, while unfavourable to strictly political history, was ripe for the production of a work like Livy's. Augustus, Agrippa, and Pollio, had founded public libraries in which the older works were accessible.
It may well be that Gallus was the tie that connected Pollio and Vergil, for we find in a letter of Pollio's to Cicero that the former while campaigning in Spain was in the habit of exchanging literary chitchat with Gallus. That was in the spring of 43, at the very time doubtless when Pollio as young men then did spent his leisure moments between battles in writing tragedies.
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