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Langland, the poet and prophet of social reforms. His chief work is Piers Plowman. Wyclif, the religious reformer, who first translated the gospels into English, and by his translation fixed a common standard of English speech. Mandeville, the alleged traveler, who represents the new English interest in distant lands following the development of foreign trade.

I therefore look with my own eyes, for if not the best that might be, they are the best that God has given me. Schoeffer is certainly a poet of a high order. His ideas are beautiful and religious, and his power of expression quite equal to that of many old masters, who had nothing very particular to express.

The Roman poet would no doubt have built an excellent superstructure if he had only possessed a little straw to make his bricks of.

"Mr. Shelley, with perfect deliberation and the steadiest perseverance, perverts all the gifts of his nature, and does all the injury, both public and private, which his faculties enable him to perpetrate. . . .He draws largely on the rich stores of another mountain poet, to whose religious mind it must be matter of perpetual sorrow to see the philosophy, which comes pure and holy from his pen, degraded and perverted by this miserable crew of atheists and pantheists."

'A pleasant day indeed for a sail, and in imagination he followed the yacht down the lake, past its different castles, Castle Carra and Castle Burke and Church Island, the island on which Marban Marban, the famous hermit poet, had lived. It seemed to him strange that he had never thought of visiting the ruined church when he lived close by at the northern end of the lake.

He also wrote a History of British Costumes, The Pursuivant of Arms , and The Conqueror and his Companions , besides autobiographical Recollections . Poet and writer of tales, was b. at Boston, where his parents, who were both actors, were temporarily living. He was left an orphan in early childhood in destitute circumstances, but was adopted by a Mr. Allan of Richmond, Virginia.

A propos of some recent acting in London we began to talk of Moliere, and presently, as though to shut out the stream of words opposite, which was damping conversation, the old poet how the splendid brow and the white hair come back to me! fell to quoting from the famous sonnet scene in "Le Misanthrope": first of all, Alceste's rage with Phillinte's flattery of the wretched verses declaimed by Oronte "Morbleu! vil complaisant, vous louez des sottises"; then the admirable fencing between Oronte and Alceste, where Alceste at first tries to convey his contempt for Oronte's sonnet indirectly, and then bursts out: "Ce n'est que jeu de mots, qu'affectation pure, Et ce n'est point ainsi que parle la nature!"

She who reigns, like the Byzantine Madonnas, lofty as the mountains, at whose feet kneel and pray ant-like human beings. The poet was hymning the homeric struggle of the great goddesses, whose lances had clashed together since the beginning of the ages: the eternal Iliad which is to that of Troy what the Alps are to the little hills of Greece.

This one is brother to a poet, another son-in-law to a historian; they conclude that they also have a right to be poet and historian in their turn. Thomas Corneille is their model; but we must admit that very few of our writers reach the rank attained by Corneille the younger.

All felt that we wished to keep on with our labor, and that Mr. Dwight only spoke the wishes of all hearts. But the inevitable mathematics of finance were against us. The "Poet," as the young folks called Mr. Dwight, wished that we could manage it somehow, in some manner. He himself would go away. He would go where his services could command higher fees.