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Jones asked him what was the matter, and whether he was afraid of the warrior upon the stage? "O la! sir," said he, "I perceive now it is what you told me. I am not afraid of anything; for I know it is but a play. And if it was really a ghost, it could do one no harm at such a distance, and in so much company; and yet if I was frightened, I am not the only person."

But now, as he walked on after leaving Caffyn, this indifference suddenly vanished; his heart beat with a secret and exquisite bliss, as he thought of this play in which Mabel was to represent his own heroine.

He is only in the forty-fifth year of his life, and though his genius was already fresh and subtle in the Quartet, written as early as 1903, it has grown beautifully in power during the last two decades. The continued exploration of musical means has given his personality increasingly free play, and has unbound him. The gesture of the hand has grown swifter and more commanding.

He was accustomed to having all the Subordinates stand on one Foot and tremble whenever he showed up. In fact, he was a very hefty Proposition all through the Business District. But when he struck the Street leading to his House he began to reef his Sails and lower all of his Flags. In his own Domicile he did not even play Second Fiddle.

'It seems that I have fallen among acquaintances, he said gruffly; 'yet I have no memory of ye. Methinks, young sirs, that your fancy doth play ye false. 'Not a whit, the Baronet answered quietly, and, bending forward, he whispered a few words into the man's ear, which caused him to spring from his seat and take a couple of quick strides forward, as though to escape from the house.

It sounded to the poor Viennese like a cruel mockery to hear a band of the victorious French army play this melody composed by a German maestro, and tears of heart-felt shame, of inward rage, filled many an eye which had never wept before, and a bitter pang seized every breast.

He told her she would have to help herself out with some of the fables, if she expected to fill her book, and she said she did not care for that, either, and probably it was just such things as this interview that drew attention to the play, and must have made it go like wildfire that first night in Midland.

No dramatist should let his audience know what is coming; but neither should he suffer his characters to, act without making his audience feel that those actions are in harmony with temperament, and arise from previous known actions, together with the temperaments and previous known actions of the other characters in the play.

The poor dear old colonel used to play the violoncello, and did at least draw some more or less exquisite sounds from it. But one winter they paid a visit to Rome, and the old man died there.

"There was a man there," he said, "working with a fever upon him; there was a woman working and by her, her baby, five days old; there were old men who looked to no rest but the grave, and children who were always too tired to play; there were girls without innocence, boys without merriment, women without joy, men without hope.