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Giovanni delle Corniole, the incomparable gem-cutter, who has left us the best portrait of Savonarola, voted with the two San Galli, "because he hears the stone is soft." Piero di Cosimo, the painter, and teacher of Andrea del Sarto, wound up the speeches with a strong recommendation that the choice of the exact spot should be left to Michelangelo Buonarroti.

"I would rather compare him with Lippo-Mani." "Perhaps," said the baron, half agreeing, "as Fuhrich, whenever I look at him, reminds me of Buffalmaco." "And me, of Piero di Cosimo." "No, no," objected the baron, "Piero di Cosimo in coloring is different from Fuhrich and Buffalmaco." "I can compare Buffalmaco, to-day, with Rossetti alone."

However, the debate was soon reopened by Jacopo di Tanai de' Nerli, a youth of considerable spirit, who warmly seconded Corsini's words; but he too presently began to hesitate, and his father, rising in great confusion, sought to excuse him in the eyes of the assembly by saying that he was young and foolish. Lastly Piero di Gino Capponi rose to his feet.

Piero dei Medici had not yet taken any resolution or formed any plan, when he suddenly heard two startling pieces of news.

Andrea del Castagno "The Last Supper" The stolen Madonna Fra Angelico's frescoes "Little Antony" The good archbishop The Buonuomini Savonarola The death of Lorenzo the Magnificent Pope Alexander VI The Ordeal by Fire The execution The S. Marco cells The cloister frescoes Ghirlandaio's "Last Supper" Relics of old Florence Pico and Politian Piero di Cosimo Andrea del Sarto.

He darted a look of surprise at Tito, but without further notice of him stretched out his hand to take the basket from the child, re-entered the house, and presently returning with the empty basket, said, "How much to pay?" "Two grossoni, Messer Piero; they are all ready boiled, my mother says."

If we want to know what the Palazzo Vecchio looked like at the time David was placed there, a picture by Piero di Cosimo in our National Gallery tells us, for he makes it the background of his portrait of Ferrucci, No. 895.

Nothing of course can be done before you start for Rome, because this bit of business between Piero de' Medici and the French nobles must be effected at once. I mean when you come back, of course; I need say no more. I believe you could make yourself the pet votary of San Marco, if you liked; but you are wise enough to know that effective dissimulation is never immoderate."

"Thank you, but I have already spoken to Piero to come for us." "Oh, but we can send him away. You will find my carriage more comfortable, and it will be in every way pleasanter," he urged beseechingly; but my negative was peremptory. Eight o'clock came. Miss St. Clair and I descended to the court of the hotel, but where was Piero? "It is singular.

The fifth of October Cæsar was still there, for on that date he wrote a letter to Piero de' Medici from that place.