United States or Lesotho ? Vote for the TOP Country of the Week !
Him she had terribly avenged. Getting her men-at-arms together, she had ridden at their head into the quarter inhabited by the murderers, and there ordered as Macchiavelli tells us the massacre of every human being that dwelt in it, women and children included, whilst she remained at hand to see it done. Thereafter she took a third husband, in Giovanni di Pierfrancesco de'Medici, who died in 1498.
It so happened that an intimate Florentine friend of Buonarroti, the Baldassare Balducci mentioned at the end of his letter to Lorenzo di Pierfrancesco, was employed in Gallo's house of business. It is probable, therefore, that this man formed the link of connection between the sculptor and his new patron.
Painted for Pierfrancesco de' Medici, the Birth of Venus is perhaps the most beautiful, the most expressive, and the most human picture of the Quattrocento. She is younger than the roses which the south-west wind fling at her feet, the roses of earth to the Rose of the sea.
This we know from the first of his extant letters, which is dated July 2, and addressed to Lorenzo di Pierfrancesco de' Medici. The superscription, however, bears the name of Sandro Botticelli, showing that some caution had still to be observed in corresponding with the Medici, even with those who latterly assumed the name of Popolani.
I commend myself constantly to you, praying you to impart this to our friends, not forgetting Pierfrancesco Dagaghiano who in consequence of being an experienced person will take much pleasure in it, and commend me to him. Likewise to Rustichi, who will not be displeased, if he delight, as usual, in learning matters of cosmography. God guard you from all evil. Your son. FERNANDO CARLI, in Lyons.
They thought it prudent, however, at this time, to exchange the hated name of de' Medici for Popolano. With a member of this section of the Medicean family, Lorenzo di Pierfrancesco, Michelangelo soon found himself on terms of intimacy. It was for him that he made a statue of the young S. John, which was perhaps rediscovered at Pisa in 1874.
We notice them particularly in the Dying Slave of the Louvre, which is certainly one of his most characteristic works. Good judges are therefore perhaps justified in identifying this S. Giovannino, which is now in the Berlin Museum, with the statue made for Lorenzo di Pierfrancesco de' Medici. The next piece which occupied Michelangelo's chisel was a Sleeping Cupid.
Word Of The Day