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Once more, in the case of a picture, it is possible, by examining and comparing a number of certain short lines in perspective, to discover not only the position occupied by the Artist, but also the point to which all those lines converge; so by examining and combining certain lines of Thought on the Physical Plane, and following them as far as we can with our present knowledge towards the point where our Ideals of the Good, Beautiful, and True intersect, we may reach the position from which we may be able to form, although through a glass darkly, even a conception of the Great Reality, and therefore of Its Offspring the Transcendental Ego, and its connection with the Universe.
Broadly speaking, we may say that the physicist finds it convenient to classify particulars into "things," while the psychologist finds it convenient to classify them into "perspectives" and "biographies," since one perspective may constitute the momentary data of one percipient, and one biography may constitute the whole of the data of one percipient throughout his life.
In the third square Lorenzo made Noah issuing from the Ark, with his wife, his sons and daughters, and his sons' wives, together with all the animals, both of the air and of the earth, which, each in its kind, are wrought with the greatest perfection wherewith art is able to imitate nature; the Ark is seen open, with the poles in perspective, in very low-relief, insomuch that their grace cannot be expressed; besides that, the figures of Noah and of his kindred could not be more lively or more vivacious, while, as he is offering sacrifice, there is seen the rainbow, a sign of peace between God and Noah.
All in that picture is in far perspective, receding, diminutive; but freshly coloured, green, dewy, with a spring sky, piled with glittering yet showery clouds; for my childhood was not all sunshine it had its overcast, its cold, its stormy hours.
The blue twilight of Venice, that curves down from the hollow heavens, softening a bit of ugliness here, accentuating a bit of loveliness there; that mysterious, incomparable blue which is without match or equivalent, and which flattens all perspective and gives to each scene the look of a separate canvas!
Already the vast panorama of forest shows signs of autumn, light touches of yellow relieving the depths of solemn green. On such a day of varied cloudland the perspective must be quite different, and perhaps even more beautiful than under a burning cloudless sky, no soft gradations between the greens and the blues.
On the western shore of the river is a smaller town than the Boy's Town, and in the perspective the entrance of the bridge on that side is like a dim little doorway.
Such vapid and flat daylight as filtered through the ground-glass windows and skylights, leaving a black sediment upon the panes, showed the books and papers, and the figures bending over them, enveloped in a studious gloom, and as much abstracted in appearance, from the world without, as if they were assembled at the bottom of the sea; while a mouldy little strong room in the obscure perspective, where a shaded lamp was always burning, might have represented the cavern of some ocean monster, looking on with a red eye at these mysteries of the deep.
Beyond, like purple steeps in heaven at set of sun, stretched far away, what seemed lands on lands, in infinite perspective. Gliding on, the islands grew more distinct; rising up from the billows to greet us; revealing hills, vales, and peaks, grouped within a milk-white zone of reef, so vast, that in the distance all was dim.
In the fourth, wherein an evil spirit is being exorcised, he counterfeited in perspective a great loggia, and at the end of it a fire that illumines it with many reflections. And in addition to those scenes there is on the altar a S. Mark by the same hand, which is a passing good picture.
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