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An excellent description of her has been given by a contemporary writer, the Comte de Chateaubriand, who, while somewhat disparaging her personal attractions, speaks in rapturous terms of her accomplishments: "Anne," writes the Comte, "avait un esprit si deslie qui c'estoit a qui l'ouiroit desgoiser; et ci venoitelle a poetiser, telle qu' Orpheus, elle eust faict les ours et rochers attentifs: puis saltoit, balloit, et dancoit toutes dances Anglaises ou Estranges, et en imagina nombre qui ont garde son nom ou celluy du galant pour qui les feit: puis scavoit tous les jeux, qu'elle jouoit avec non plus d'heur que d'habilite puis chantoit comme syrene, s'accompagnant de luth; harpoit mieueix que le roy David, et manioit fort gentilment fleuste et rebec; puis s'accoustroit de tant et si merveilleuses facons, que ses inventions, faisoient d'elle le parangon de toutes des dames les plus sucrees de la court; mais nulle n'avoit sa grace, laquelle, au dire d'un ancien, passe venuste'." Such was the opinion of one who knew her well during her residence at the French court, when in attendance on Mary of England, consort of Louis XII., and afterwards Duchess of Suffolk.
One day, on entering the house, he saw Madame Parangon elegantly dressed and wearing rose-colored shoes with tongues, and with green heels and a pretty rosette. They were new and she took them off to put on green slippers with rose heels and borders which he thought equally exciting.
"Madonna Parangon," he tells us, "possessed a charm which I could never resist, a pretty little foot; it is a charm which arouses more than tenderness. Her shoes, made in Paris, had that voluptuous elegance which seems to communicate soul and life.
He was still a boy , she was the young and virtuous wife of the printer whose apprentice Restif was and in whose house he lived. Madame Parangon, a charming woman, as she is described, was not happily married, and she evidently felt a tender affection for the boy whose excessive love and reverence for her were not always successfully concealed.
His love for Madam Parangon, one of the deepest emotions in his whole life, was also the climax of his shoe-fetichism. She represented his ideal woman, an ethereal sylph with wasp-waist and a child's feet; it was always his highest praise for a woman that she resembled Madame Parangon, and he desired that her slipper should be buried with him.
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