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A recent anonymous writer has said that most of the writing of our day is characterized by an intellectual strain. I have no doubt that this will appear to be the case to the next generation. It is a strain to say something new even at the risk of paradox, or to say something in a new way at the risk of obscurity. From this Irving was entirely free.

George Eliot at this period looked perilously like a Blue Stocking. The range and variety of her reading and the severely intellectual nature of her pursuits justify the assertion. Was this well for the novelist? The reply might be a paradox: yes and no. This learning imparted to Eliot's works a breadth of vision that is tonic and wins the respect of the judicious.

It stands in the old place, it serves the old use, and yet a new thing would be better; it would even in some subtle wise be more appropriate, if I may indulge so audacious a paradox; for the time is new, and so will be all the subconscious keeping in which our lives are mainly passed.

That this can ever be a matter of doubt, is a sort of paradox. All which the name expresses with them, when they predicate it of an object, is a confused feeling of resemblance between that object and some of the other things which they have been accustomed to denote by the name.

Indeed, the paradox of a nation's life and career, with all its wondrous contradictions, can probably only be explain'd from these two wills, sometimes conflicting, each operating in its sphere, combining in races or in persons, and producing strangest results.

Then there is the extraordinary fatigability of the muscles which occurs in the thymus types, who nevertheless have large well-rounded muscles, a paradox of contradiction between anatomy and physiology.

"That's the last time you saw him until you went to his rooms at the Paradox the night he was killed?" She had lifted her hand to pat into place an escaping tendril of hair. The hand remained lifted. The dark eyes froze with horror. They stared at him, as though held by some dreadful fascination. From her cheeks the color ebbed. Kirby thought she was going to faint. But she did not.

But Hobbes followed, and rejected utterly the notion that a definition declares the nature of the thing, or does any thing but state the meaning of a name; yet he continued to affirm as broadly as any of his predecessors, that the ἀρχαὶ, principia, or original premises of mathematics, and even of all science, are definitions; producing the singular paradox, that systems of scientific truth, nay, all truths whatever at which we arrive by reasoning, are deduced from the arbitrary conventions of mankind concerning the signification of words.

And by a paradox repeated again and again in human history, it is this utter devotion to the spiritual and eternal which is seen to bring forth the most abundant fruits in the temporal sphere; giving not only the strength to do difficult things, but that creative charity which "wins and redeems the unlovely by the power of its love."

All came with a request for Galileo "to write a little, witty, characteristic sentiment in them." Galileo was the author of the hydrostatic paradox and other sketches. He was a great reader and a fluent penman.