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Father Orin then went out of the cabin, and with a nod summoned Toby to do his part. When the priest was seated in the saddle, the doctor turned back to the bed, and lifting one of the three limp little burdens, carried it out and carefully placed it in Father Orin's arms. "But you can't carry both of the others," said the priest, in sudden perplexity.

"John and I haven't quarrelled," she said, in a voice a little raised; "he is worried about the debts and that makes him out of sorts, sometimes, that is all." A look of shrewd cunning came into Orin's narrow eyes. He suspected the allusion to John's determination to clear his father's memory from dishonor to be a clever device to win a concession from him.

And so thinking, very strange fancies about Toby would now and then come to him with the profoundest reverence. And on that dreary night, when their dauntless spirits seemed to touch, while their exhausted bodies thus dozed side by side, a pleasant vision vaguely blended Father Orin's half-conscious dreams with his perplexed waking thoughts.

She regarded him as greatly gifted; in the eyes of Feltonville people, Orin's talents, since they had received the sanction of substantial patronage, had loomed into greatness somewhat absurdly disproportionate to their actual value.

To Orin's disappointment this fact seemed to make little impression upon Milly, who was far too ignorant of Boston's social distinctions to realize that an invitation to one of Mrs. Frostwinch's Fridays was an honor greatly to be coveted. "I am glad if people are interesting themselves in your work, Orin," she said, with a manner she tried not to make formal.

That's right, old man," said the priest, now and then. The doctor kept a close, anxious watch over the child in Father Orin's arms, and frequently glanced down at the two little faces lying in the hollow of his own arms. Any one of the three, or all of them might cease to breathe at any moment.

We are all so much interested in the statue." Helen laid down her tools with an air of sudden determination. "Why are you?" she asked, rather absently. "When Mrs. Fenton told me she had asked you to let me model your hands, she didn't mention your being interested in my art." "Oh, I don't know anything about it," returned the other, with the utmost frankness, "only that Orin's a sculptor."

These two great lawyers still stood absorbed in low-toned conversation. But the young preacher had no eyes for Joe Daviess nor for any one except Andrew Jackson. As soon as he could free his hand from Father Orin's clasp he entered the court room and went straight up to General Jackson and stood still in front of him, looking at him.

His clear blue eyes, growing quiet, now looked straight into Father Orin's which were openly searching and suspicious during the second telling of the story of the night. It was not easy for suspicion to stand against such a gaze. The priest's wavered in spite of its strength. No one could believe evil of Philip Alston while looking in his noble, open face.

Half stunned, he gazed again blankly, feeling vaguely that his own head must go down very soon; his strength was wholly gone; he could not even see the shore, though it was very near, because he was not strong enough to lift himself above the trunk of the tree which hid it from his sight. And then at last he heard Father Orin's voice: "Hold fast, my boy. Hold fast just a moment longer.