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Vasari speaks of the Navicella as "a truly wonderful work, and deservedly eulogized by all enlightened judges." In Venice, the Mascoli chapel was ornamented by scenes from the life of the Virgin, in 1430. The artist was Michele Zambono, who designed and superintended the work himself. At Or San Michele in Florence, the painter Peselli, or Guliano Arrigo, decorated the tabernacle, in 1416.
His monks inhabited the church and the cloisters of Santa Maria in Dominica, or, as it is more commonly called, in Navicella, from the rudely-sculptured marble monument that stands on the grass before its portal, a remnant of bygone days, to which neither history nor tradition has given a name, but which has itself given one to the picturesque old church that stands on the brow of the Coelian Hill.
The same master has engraved an Annunciation from a drawing by the hand of Michelagnolo, and has also executed prints of the Navicella of mosaic that Giotto made in the portico of S. Pietro.
The line encircling them includes the most hilly part of the mediæval city; beginning at the Porta Salaria, it runs through the new quarter, formerly Villa Ludovisi, to the Piazza Barberini, thence by the Tritone to the Corso, by the Via Marforio, skirting the eastern side of the Capitoline Hill and the eastern side of the Roman Forum to the Colosseum, which it does not include; on almost to the Lateran, back again, so as to include the Basilica, by San Stefano Rotondo, and out by the Navicella to the now closed Porta Metronia.
"From the Via di Santi Giovanni e Paolo we came out into a small square by a church, which has a little marble ship in front of its porch. We saw that his street is named after the Navicella." "By the side of the church of the Navicella, we passed the Villa Mattei, and Susanna wished to go in. What a beautiful property! What splendid terraces those in that garden are! What laurels!
The latter, however, is not now recognised as his. The earliest authentic example is the so-called Stefaneschi altar-piece, painted in 1298 for the same patron who commissioned the Navicella.
On one side are laymen and churchmen led forward by S. Francis, and on the other Penance, habited as a hermit, driving away earthly love and impurity. S. Francis in glory is more conventional, as might be expected from the nature of the subject. In the ancient Basilica of S. Peter in Rome Giotto made the celebrated mosaic of the Navicella, which is now in the vestibule of S. Peter's.
He worked in mosaics also, and the famous "Navicella," in the vestibule of St. Peter's at Rome, was originally made by him, but has now been so much restored that it is doubtful if any part of what remains was done by Giotto's hands.
He based his art rather on Roman than Greek tradition, and his works exhibit less Byzantine formality than many mosaics of the period. On the apse of Sta. Maria Maggiore there appears a signature, "Jacopo Torriti made this work in mosaic." Gaddo Gaddi also added a composition below the vault, about 1308. The well-known mosaic called the Navicella in the atrium of St.
Before we arrive at this grand temple, the eye is attracted by the beautiful square in front of it, surrounded by a magnificent colonnade by Bernini, and ornamented by an Egyptian obelisk, together with two splendid fountains. Upon entering the vestibule, Giotto's mosaic, la Navicella, is seen.
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