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As the sound still died away, the cry still haunted me; and in my recollection, the Carnival of 1860 will ever remain as the dullest and dismalest of Carnivals the Carnival without mirth, or sun, or gaiety the Carnival Senza Moccolo. Straws show which way the wind blows, and so, though the straws themselves are valueless, yet as indications of what is coming, their motions are worth noting.

But my father, at this epoch, could catch not a glimpse of it. The masking day, and the ensuing night of the moccolo, were the culminating features of the carnival; and it was on the afternoon of this day, I think, that the horse-race, with bare-backed horses, took place.

Then, if it were the last night of Carnival, as the purple air grew brown in the dusk, myriads of those wax tapers first used in Saturn's temple of old lit up the street like magic and the last game of all began, for every man and woman and child strove to put out another's candle, and the long, laughing cry, 'No taper! No taper! Senza moccolo! went ringing up to the darkling sky.

Senza Moccolo! Senza Moccolo! Beautiful women, standing up in coaches, pointing in derision at extinguished lights, and clapping their hands, as they pass on, crying, 'Senza Moccolo!

Besides this, there were gas-lights burning with a white flame; but this illumination was not half so interesting as that of the torches, which indicated human struggle. All this time there were myriad voices shouting, "SENZA MOCCOLO!" and mingling into one long roar.

The crowd in the streets carried no candles, and there were only sixteen carriages or so, all filled with strangers. Of all the dreary sights I have ever witnessed that Moccoletti illumination was the dreariest. At rare intervals, and in English accents, you heard the cry of "Senza Moccolo," which used to burst from every mouth as the tiny flames flickered, and glared, and fell.

Again, we went down a long flight of steps somewhere near the Forum, till we reached a pitch-black place, where we waited till a guide came up from still lower depths, down into which we followed him each with a moccolo till we felt level earth or stone beneath our feet, and stood in what I suppose is as lightless a hole as can exist in nature.

Senza Moccolo!; low balconies full of lovely faces and gay dresses, struggling with assailants in the streets; some repressing them as they climb up, some bending down, some leaning over, some shrinking back delicate arms and bosoms graceful figures glowing lights, fluttering dresses, Senza Moccolo, Senza Moccoli, Senza Moc-co-lo-o-o-o! when in the wildest enthusiasm of the cry, and fullest ecstasy of the sport, the Ave Maria rings from the church steeples, and the Carnival is over in an instant put out like a taper, with a breath!

The Roman carnival in three moods Apples of Sodom Poor, battered, wilted, stained hearts A living protest and scourge Dulce est desipere in loco A rollicking world of happy fools Endless sunshine of some sort Greenwich Fair was worth a hundred of it They thundered past, never drawing rein "Senza moccolo!"

The race over, back into the street thronged the crowd, filling it from wall to wall; then there was a gradual thinning away, as the people went home for supper; and finally came the night and the moccoli, with the biggest crowd of all. I was there with my twist of moccolo and a box of matches; except the moccoli, there was no other illumination along the length of the Corso.