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Milyukof's contention is undoubtedly sound, but it has resulted in a wordy warfare in the columns of Burtsef's "Obshy Delo" and Milyukof's "Posledny Novosti," both Paris daily papers in Russian which keep up a malevolent cross-fire on one another. One of the happiest evenings spent in Paris was at Babief's toy theatre "The Flittermouse," where I saw again a programme rendered in Moscow in 1914.
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