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Lord John Russell, Mr. Rogers, Mr. Luttrell, Monsieur Thiers, Monsieur Mignet, and Mr. Poulett Thomson, dined here yesterday. The party was an agreeable one, and the guests seemed mutually pleased with each other. Monsieur Thiers is a very remarkable person quick, animated, and observant: nothing escapes him, and his remarks are indicative of a mind of great power.
French Literature from the Age of the Restoration to the Present Time. History: Thierry, Sismondi, Thiers, Mignet, Martin, Michelet, and others. Poetry and the Drama; Rise of the Romantic School: Beranger, Lamartine, Victor Hugo, and others; Les Parnassiens. Fiction: Hugo, Gautier, Dumas, Merimee, Balzac, Sand, Sandeau and others. Criticism: Sainte-Beuve, Taine, and others. Miscellaneous.
Monsieur Mignet spent last evening here. The more I see of him the more I am pleased with his society. To a mind stored with knowledge he joins a happy facility of bringing forth its treasures, never as if ostentatious of his wealth, but in illustration of any topic that is discussed, on which he brings it to bear most aptly and appropriately.
Mignet was elected to the French Academy in 1836, and afterwards published a series of masterly studies dealing with the sixteenth and seventeenth centuries, among which are "Antonio Perez and Philip II.," and "The History of Mary, Queen of Scots," and also biographies of Franklin and Charles V. He died on March 24, 1884. I. The Last Resort of the Throne
Thiers, Mignet, Louis Blanc, Taine, and Lanfrey wrote on the Revolution or Napoleon. The most eminent of the newer school of scientific historians are Boissier, Sorel, Lavisse, Luchaire, and Aulard. Sainte-Beuve is only one of the foremost in the class of literary critics, in which are included Renan, Sarcey, Brunetiere, Lemaitre, Faguet, and others, themselves authors.
It was, perhaps, the presence of something of the same quality that led him to give the preference, among the numerous histories of the French Revolution, to Mignet, though, in putting him into my hands, he cautioned me against that dangerous spirit of fatalism, which, making man the unconscious instrument of an irresistible necessity, leaves him no real responsibility for evil or for good.
But there was a younger class of an opposite school who now came forward, and the more eminent of these were also frequent visitors to the old queen of society, Ampère, Thiers, Mignet, Guizot, De Tocqueville, Sainte-Beuve. Nor did she lose the friendship, in her altered fortunes, of queens and nobles.
"I do not flatter you, monseigneur," cried the duchess, cordially grasping his hand, and leading him to the mantel, over which hung a full-length portrait of the youthful Duke de Chartres. "See," exclaimed she with affectionate pride, "see what a beautiful picture Mignet has made of him. It was done in secret in Mignet's studio, and was brought to me yesterday as a birthday present from my boy."
The sad grace, the tender resignation, the poetic enthusiasm, the petulant caprice, the wilful, lovely womanliness of the lovely queen, are made tragically real by her representation. Perhaps it is not the Mary of Mignet nor of history. But Mary Queen of Scots is one of the characters which the imagination has chosen to take from history and decorate with immortal grace.
He found at Béarn, in the court of the sister of Henry IV. of France, a resting-place from hardship, but not a safe asylum from persecution. During his brief residence there, three separate attempts to assassinate him were detected or defeated; nor were these the only plots directed against his person. M. Mignet quotes a pleasant variety of the species from the lively pen of Perez himself.
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