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"And I'm alone in Paris, and perfectly free," said Betty, leaning back on the cushions. "No, I won't tell my coachman to drive along the Rue Notre Dame des Champs, wherever that is. Oh, it is glorious to be perfectly free. Oh, poor Madame Gautier! Oh dear, oh dear!" She held her breath and wondered why she could feel sorry.

The cure seemingly considered his person soiled and his coif dishonored by the touch of a philosopher. He made the nurse give him a little brushing and went out with the Abbe Gautier. He expired, says Wagnierre, on the 30th of May, 1778, at about a quarter past 11 at night, with the most perfect tranquility.

Therefore, bright and early, at nine o'clock we started on our trip. We saw the Cathedral; but I had not counted on the time necessary for the change of toilette, which I had to make before dejeuner. I found on my table an envelope containing this poetry, which I inclose, from Theophile Gautier. I suppose he considered it as a sort of amende honorable.

When, for example, Theophile Gautier reproached him with being too little impressed with the exigencies of rhyme, his criticism was not well grounded, for richness of rhyme, though indispensable in works of descriptive imagination, has no 'raison d'etre' in poems dominated by sentiment and thought.

For there are odd, mingled moments in the lives of most scholars and saints like Renan in his queer envy of Theophile Gautier when such men inevitably ask themselves whether they have not missed something irreplaceable, the student, by his learning the saint even, by his goodness. Here now was "Miners' Row."

On his side, Balzac defended Gautier on all occasions, and in 1839 dedicated "Les Secrets de la Princesse de Cadignan," then called "Un Princesse Parisienne," "A Theophile Gautier, son ami, H. de Balzac." Beyond this friendship, the affair of the Chronique brought Balzac nothing but worry and trouble. And it came at a time when misfortune assailed him on all sides.

J. Wickham Legg, Ecclesiological Essays, p. 189. It may be added that the idea of the subordination of the wife to the husband appeared in the Christian Church at a somewhat early period, and no doubt independently of Germanic influences; St. See, e.g., L. Gautier, La Chevalerie, Ch.

Gautier supported Balzac's plays in La Presse, and helped with many of his writings. Gautier also wrote for Balzac, who had absolutely no faculty for verse, the supposed translation of two Spanish sonnets in the "Memoires de Deux Jeunes Mariees," and the sonnet called "La Tulipe" in "Un Grand Homme de Province a Paris."

Shelley had revealed to me the unimagined skies where the spirit sings of light and grace; Gautier had shown me how extravagantly beautiful is the visible world and how divine is the rage of the flesh; and with Balzac I had descended circle by circle into the nether world of the soul, and watched its afflictions. Then there were minor awakenings.

One of these Mr George Russell glances at in the preface to the Letters, a passage which I read with not a little amusement, because I could confirm it from a memory of my only conversation with Mr Arnold. He had been good-humouredly expostulating with me for overvaluing some French poet. I forget at the distance of seventeen or eighteen years who it was, but it was not Gautier.