United States or Austria ? Vote for the TOP Country of the Week !
Two important letters from Michelangelo to Fattucci, written in October 1525 and April 1526, show that he had then abandoned the original scheme, and adopted one which was all but carried into effect. "I am working as hard as I can, and in fifteen days I shall begin the other captain. Afterwards the only important things left will be the four rivers.
Michelangelo filled these upper spaces with two groups of wrestling angels, the one bearing a huge cross, the other a column, in the air. The cross and whipping-post are the chief emblems of Christ's Passion. The crown of thorns is also there, the sponge, the ladder, and the nails. It is with no merciful intent that these signs of our Lord's suffering are thus exhibited.
At all times Art has been fostered by patrons, never by the people. How should they foster it? Instinctively they hate it, as they hate all superiorities. It was not Florence but the Medici and the Pope that employed Michelangelo; not Milan but Ludovic the Moor that valued Leonardo.
Two exits from the false situation existed: one was the picturesqueness of the Barocco style; the other was the specious vapid purity of the Palladian. Michelangelo, who was essentially the genius of this transition, can neither be ascribed to the Barocco architects, although he called them into being, nor yet can he be said to have arrived at the Palladian solution.
It is certain that among the workers on the Erechtheum was Praxias, a pupil of Calamis, and probably a relative of Praxiteles. The distinction between artist and mason, so marked in our day, scarcely existed in Greece. The mason who had talent became a noted sculptor; and the sculptor, instead of making a model in wax or plaster, set to work, like Michelangelo, on the block of marble himself.
Michelangelo, knowing that they were likely to do so, wrote to his brother Buonarroto on the 1st of February 1507: "I inform you further how on Friday morning I sent away Lapo and Lodovico, who were in my service. Lapo, because he is good for nothing and a rogue, and could not serve me.
For that is the Medici's home; and afterwards we will step into S. Lorenzo and see the church which Brunelleschi and Donatello made beautiful and Michelangelo wonderful that the Medici might lie there. Visitors go to the Riccardi palace rather to see Gozzoli's frescoes than anything else; and indeed apart from the noble solid Renaissance architecture of Michelozzo there is not much else to see.
Inasmuch as Michelangelo is now advanced in years, and does not count on bringing his ideas to light through composition, he has disclosed to me his theories in their minutest details. He also began to discourse upon the same topic with Messer Realdo Colombo, an anatomist and surgeon of the highest eminence.
It is not insignificant to ascertain, so far as now is possible, what Michelangelo owed to his teachers.
It is peculiarly interesting to walk out of the Michelangelo gallery into the little room containing the Fra Angelicos: to pass from a great melancholy saturnine sculptor, the victim of the caprice of princes temporal and spiritual, his eyes troubled with world knowledge and world weariness, to the child-like celebrant of the joy of simple faith who painted these gay and happy pictures.
Word Of The Day