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But it would take a good deal more than that to spoil the Colosseum, for neither the rapine of the mediaeval nobles, who quarried their palaces from it, nor the industrial enterprise of some of the popes, who wished to turn it into workshops, nor the archeology of United Italy had sufficed to weaken in it that hold upon the interest proper to the scene of the most stupendous variety shows that the world has yet witnessed.

The novel, then, had to wait for the drama's decline, but there was literary story-telling long before that. There were mediaeval romances in prose and verse; Renaissance pastoral tales, and stories of adventure; collections, plenty of them, of short stories like Boccaccio's, and those in Painter's Palace of Pleasure.

We know that the romantic vein in Giorgione was particularly strong, that he naturally delighted in producing fanciful pictures where his poetic imagination could find full play; we have seen how the classic myth and the mediaeval romance afforded opportunities for him to indulge his fancy, and we have found him adapting themes derived from these sources to the decoration of cassoni, or marriage chests.

The linguistic basis of mediaeval civilization was thus Latin, either in its classical or in its vulgar form. There were of course other languages, and some of these had no small vogue. Just before the period of which we are treating the period which extends from 1050 to 1300 Icelandic had a wide scope.

He's an authority upon our mediaeval institutions, and if he weren't forced to earn his living he would write a book that very much wants writing " "He is not well off, then?" Mrs. Milvain interposed. "Hasn't a penny, I'm afraid, and a family more or less dependent on him." "A mother and sisters? His father is dead?" "Yes, his father died some years ago," said Mr.

As for the mediaeval revival, which tried to turn aside, and in part capture, the transcendental tendencies of his time, Browning rejected it, in the old temper of English Puritanism, on the side of religion; but on the side of art it opened certain avenues upon which he eagerly entered.

Oh, the decency, the restraint, and the enduring law-abidingness of London's poor, in the face of continuously flaunting plenty, of gross ostentation! It is the greatest miracle of our time. The comparative absence of either religion or philosophy among them to-day makes the spectacle of their docility, to me, far more remarkable than anything in the history of mediaeval martyrdom.

The first of these is the period of the Christian Fathers, culminating in the authoritative writings of Augustine, who died in 430. By this time a great part of the critical Greek books had disappeared in western Europe. Worldly knowledge was reduced to pitiful compendiums on which the mediaeval students were later to place great reliance.

But in practice the great difference between the mediaeval ethics and ours is that ours concentrate attention on the sins which are the sins of the ignorant, and practically deny that the sins which are the sins of the educated are sins at all. We are always talking about the sin of intemperate drinking, because it is quite obvious that the poor have it more than the rich.

We see it in the impartial historians of the Victorian Age, who now seem far more Victorian than the partial historians. Hallam wrote about the Middle Ages; but Hallam was far less mediaeval than Macaulay; for Macaulay was at least a fighter. Huxley had more mediaeval sympathies than Herbert Spencer for the same reason; that Huxley was a fighter.