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As his lyrics show the sympathetic soul of nature, so his narrative poems illustrate the second dominant characteristic of the age, the strong sense of the worth of the humblest man. Michael, one of the very greatest of his productions, displays a tender and living sympathy with the humble shepherd.

Johnson thought Irene was poetry, it is not singular that he should think the lyrics of Watts were not. Stoke Newington is also celebrated as the residence of De foe. We passed by, in our walk, the ancient mansion in which he lived.

The thing is tersely called "The Woman." I presume that she will "pay." ANTHONY: My God! Is that what it is? Let's go to the Follies again. MAURY: I'm tired of it. I've seen it three times. When we came back we entered the wrong theatre. ANTHONY: Had a protracted dispute with a scared young couple we thought were in our seats. MAURY: I know with intellectual lyrics that no one will listen to.

It is a great problem, this accumulation of literature; and it seems to me a very irrational thing to do to republish the complete works of old authors, who perhaps, in the midst of a large mass of essentially second-rate work, added half-a-dozen lyrics to the literature of the world. But surely it is time that we began to select?

On the other hand, David, who may be denominated the Alfred of the Jews, seems to have contented himself with the chorus; he allotted its members, disciplined its ranks, heightened its effect, and supplied new lyrics for its use.

Whatever the flaws in his affluent verse, it has grown constantly in popular favor, and he is, after Poe, the best known poet of the South. The late Edmund Clarence Stedman, whose "American Anthology" and critical articles upon American poets did so much to enhance the reputation of other men, was himself a maker of ringing lyrics and spirited narrative verse.

In poetry, the age is best represented by five men; namely, Arnold, who voices the feeling of doubt and unrest; Browning, who, by his optimistic philosophy, leads to impregnable heights of faith, who analyzes emotions and notes the development of souls as they struggle against opposition from within and without, until they reach moments of supreme victory or defeat; Tennyson, whose careful art mirrors in beautiful verse much of the thought of the age, the influence of science, the unrest, the desire to know the problems of the future, as well as to steal occasional glances at beauty for its own sake; Swinburne, the greatest artist since Milton in the technique of verse; and Kipling, the poet of imperialistic England, whose ballads sing of her soldiers and sailors, and whose lyrics proclaim the Anglo-Saxon faith and joy in working.

Gabinius was not the kind of a man either to analyze his motives, or express himself in the sobbing lyrics of a Catullus. He was thrilled with a fierce passion, and knew it, and it only. Therefore he merely replied to Lucius Ahenobarbus: "I can't help myself. What does Terence say about a like case?

To the former division belong in the main the more ambitious set pieces and eclogue-cycles, to the latter the lighter and more occasional verse, the pastoral ballads and the lyrics.

These beautiful lyrics possess the freshness and charm of some clear April morning, with its delicate flowers and its carolling birds. It is the voice of youth that sings in light and varied measures, composed with such an exquisite happiness, such an unlaboured art. The songs are of Love and of Nature, of roses, skylarks and kisses, of blue skies and natural joys.