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The reports of the Intendants to their respective Governments, of Luettichau in the forties, of Royer in Paris in 1861, show how far the authorities were from understanding the nature either of the work which they were undertaking or of the man with whom they had to deal.
Although, as I have said before, Luettichau left these musicians unmolested in their more or less democratic union, yet he took care to be informed through spies of what took place at their highly treasonable gatherings. His chief instrument was a bugler named Lewy, who, much to the disgust of all his comrades in the orchestra, was in particularly high favour with the director.
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