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Emerson says, "Sometimes she stayed a few days, often a week, more seldom a month, and all tasks that could be suspended were put aside to catch the favorable hour in walking, riding, or boating, to talk with this joyful guest, who brought wit, anecdotes, love-stories, tragedies, oracles with her.... The day was never long enough to exhaust her opulent memory, and I, who knew her intimately for ten years, never saw her without surprise at her new powers."

It may be noted that the givers of good news and good luck in the Shakespearian love-stories nearly all belong to a world which was passing, whether they are friars or fairies. It is the same with the chief Elizabethan ideals, often embodied in the Elizabethan drama.

They would by no means make as lovely a picture; for Nancy's upper jaw projects, and she has a wart on her nose, very stiff black hair, and a shingle figure, none of which adds grace to a scene; and Hiram went off in the Slabtown stage, with a tin-box on his knees, instead of in a shell-shaped boat with silken sails; but I know Nancy reads love-stories with great zest, and I know she had a slow fever after Hiram was married.

Devil; that he will never see her again; and that he returns to live in Brittany, where he wishes, by the most rigid economy, to repair the breach he has just made in his fortune." "Thus end all these love-stories," said Mme. de Thaller in a jesting tone. "I beg your pardon: this one is not ended yet. For many years, my father kept his word, and never left our homestead of Tregars.

We should have seen with our minds' eyes the lovely lady asking news of the painted boat which carried the dead body of her murdered husband Osiris, asking always vainly, until she thought of questioning the little children. But instead we thought of our own love-stories and amusements.

It does not from this follow that all of them ignore love and the relation of the sexes, or even avoid actual love-stories; but as a class they eschew the sentimental treatment which is and for a long time has been the distinguishing feature of British Drama. A particular instance of the effect of the modern tradition may be mentioned.

Meanwhile the indefiniteness remains, and the limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favorite love-stories in prose and verse. Here and there a cygnet is reared uneasily among the ducklings in the brown pond, and never finds the living stream in fellowship with its own oary-footed kind.

"God forbid!" said Buckingham, with a somewhat unintelligible seriousness. "If I were ever in love, it seems to me I should stop writing love-stories." Now, this was just what happened, for a time at least. To any one so dead in love as Buckingham was at this time, all circumstances are favorable. It needs but a given moment, and the hero is on hand ready to seize it.

Read love-stories, by all means, but let them be noble ones, such as show you, Molly Gibson, Mary Colet, Romola, Di Vernon, Margaret Hale, Shirley, Anne Elliot, The Angel in the House, The Gardener's Daughter, The Miller's Daughter, Sweet Susan Winstanley, and Beatrice.

Serious men thaw and become mildly cheerful, and snobbish young men of the heavy-mustache type forget to make themselves objectionable. I always feel sentimental myself after dinner. It is the only time when I can properly appreciate love-stories.