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There he could study Stephan Lochner's precursor, Master Wilhelm the first early German painter whose name is known and in this again he found the look of elaborate chubbiness as in the Dombild. Wilhelm's Virgin was indeed less vulgar than the Virgin of the cathedral; but in feeling she was equally insipid, over-finished, and even more simperingly pretty.
The evidences of British thrift were to be seen in many portions of the place. Lochner's Hotel was their abiding-place, and Major Shandon regaled the party at dinner and in the evening with stories of the place, and proved himself to be a gentleman of "infinite humor." The next morning the company took the train for Benares.
What can be weaker or uglier, more unbecoming an artist, more becoming a fish-wife, than his description of Lochner's picture of the Virgin: "The neck of a heifer, and flesh like cream or hasty-pudding, that quivers when it is touched;" or of the picture of St.
"Green, to which the mystics gave favourable meanings, also acquires a disastrous sense in some cases; it then represents moral degradation and despair; it borrows melancholy significance from dead leaves, is the colour given to the bodies of the devils in Stephan Lochner's Last Judgment, and in the infernal scenes depicted in the glass windows and pictures of the earliest artists.
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