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Kumta U Raitong u la wai noh la ka jingput bad u sngowsib, halor ba shem kat kane ka pyrthei sngi, sa kane ruh nang wan leh ih-bein kumne. Haba ka la lam pynsboi ia u, U Raitong u la sneng ia ka bad u la phah nob ia ka, te ka la leit noh haba ka sydang ban shai pher. U Raitong u la law la ki jain bha, u la shim la ki syrdep bad, u dypei ban leh kumta u jiw leh bad u la leit pynlur masi.
Uta u khunlung um leit hano-hano ruh, la khot la khroh. U Siem katno katno ruh um treh. "To ia ia kynmaw sa man u bym don hangne" ong U Siem. Baroh ki ong, "ym don shuh, sa tang U Raitong." "Khot te ia U Raitong," ong U Siem. Don katto katne na pyddeng uta a paitbah kiba ong. "Ym khot makna ia uba pli, uba kum u ksew, u miaw, yn nai Siem." "Em shu khot wei u kynja shinrang briw dei ban wan."
It is this statement, the outcome of "the true spirit of devout inquiry ... by persons of consideration in evening dress" which forms the leit motif of Aberigh-Mackay's powerful satire, in which a gingham umbrella, "conceived in the liberal spirit of a bye-gone age," is substituted for an old fashioned breast brooch set round with pearls, with glass at the front and the back, made to contain hair, which, long lost, was stated to have been recovered for its owner as a result of Madame Blavatsky's occult powers.
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