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Sometimes she did not see him as she threaded the sandy alleys between the little rills, hearing the distant song of Larbi's amorous flute, or sat in the dense shade of the trees watching through a window-space of quivering golden leaves the passing of the caravans along the desert tracks.
As she did so, Smain, unfolding for an instant his burnous, pressed into her hands his mass of roses. She thanked him with a smile he scarcely saw and a word that was borne away upon the wind. At Larbi's lips she saw the little flute and his thick fingers fluttering upon the holes. She knew that he was playing his love-song for her, but she could not hear it except in her heart.
She listened to Larbi's unending song of love. And she said to herself, "These people, uncivilised or not, at least live, and I have been dead all my life, dead in life." That was horribly possible. She knew it as she felt the enormously powerful spell of Africa descending upon her, enveloping her quietly but irresistibly.
"And I pay him so much a week all the year round for doing that," the Count said. His grating voice sounded kind and amused. They walked on, and Larbi's tune died gradually away. "Somehow I can't be angry with the follies and vices of the Arabs," the Count continued.
He is gay, as children are, and sometimes he is naughty and, as if out of sheer wantonness, he destroys the pyramids of sand erected by the Arab gardeners upon the narrow paths between the hills, or tears off the petals of the geraniums and scatters them to the breezes that whisper among the trees. But when Larbi's flute calls to him he runs to hear.
She heard the chiming church bell and the twitter of Larbi's flute. The dark blue of trees was as the heart of the world to her and as the heart of life. It had seen the birth of her soul and given to her another newborn soul.
She did not know at the moment that anything had influenced her to choose that particular path, but very soon the sound of Larbi's flute grew louder, and she guessed that in reality the music had attracted her. Androvsky walked beside her without a word. She felt that he was not looking about him, not noticing anything, and all at once she stopped decisively.
She shrank from her own thought, like one startled, and walked on softly in the green darkness. Larbi's flute became more distant. Again and again it repeated the same queer little melody, changing the ornamentation at the fantasy of the player. She looked for him among the trees but saw no one. He must be in some very secret place. Smain touched her. "Look!" he said, and his voice was very low.
After his question, which sounded to her almost childlike, and which she did not answer, Domini glanced at his attentive face, to which the green shadows lent a dimness that was mysterious, at his tall figure, which always suggested to her both weariness and strength, and remembered the passionate romance to whose existence she awoke when she first heard Larbi's flute.
Then he took his lips away from her lips and kissed her throat, holding her head back against his shoulder. She shut her eyes. He was indeed teaching her to forget. Even the memory of the day in the garden when she heard the church bell chime and the sound of Larbi's flute went from her. She remembered nothing any more. The past was lost or laid in sleep by the spell of sensation.
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