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The Emperor bent his eyes on the ground a short time, and then said, half in soliloquy: "It was not possible otherwise. Whence could a boy learn the ardent, yearning longing of which that 'Quia amore langueo' was so full? And the second, less powerful voice, which accompanied her, was that a girl's too? No? Yet that also, I remember, had a suggestion of feminine tenderness.
He thought of the pleasure which the previous evening had afforded, and suddenly it seemed as if he again heard the "Quia amore langueo" "Because I long for love" that had touched his soul the day before.
Where had Appenzelder discovered the marvellous boy who sang this "Quia amore langueo"? He sent Don Luis Quijada to assure the leader and the young singer of his warmest approbation, and then permitted the Queen also to seek the choir and its leader to ask whom the latter had succeeded in obtaining in the place of the lad from Cologne, whom he had often heard sing the "tu pulchra es," but with incomparably less depth of feeling.
Barbara's voice had lent a special charm to this magnificent motet, and, when she concluded the "Quia amore langueo" "Because I yearn for love" to which she had long given the preference when she felt impelled to relieve her heart from unsatisfied yearning, she had seen Gombert look at the choir leader, and understood the "inimitable" which was not intended for her, but for his fellow-artist.
Though her voice was no longer so free from sharpness and harshness as in the old days, it by no means jarred upon the ear; nay, every tone revealed its admirable training. She had broken the long silence with Josquin's motet, "Quia amore langueo," and in her quiet chamber dedicated it, as it were, to the man to whom this cry of longing had been so dear.
Where had Appenzelder discovered the marvellous boy who sang this "Quia amore langueo"? He sent Don Luis Quijada to assure the leader and the young singer of his warmest approbation, and then permitted the Queen also to seek the choir and its leader to ask whom the latter had succeeded in obtaining in the place of the lad from Cologne, whom he had often heard sing the "tu pulchra es," but with incomparably less depth of feeling.
Barbara had to sing the "Quia amore langueo" again, and how it sounded this time to the listening hearer! No voice which the Emperor Charles had ever heard had put such pure, bewitching melody into this expression of the deepest yearning. It seemed as though the longing of the whole world was flowing to him from those fresh, young, beautifully formed red lips.
"God grant it!" replied the Emperor dully, and then, with a shrug of the shoulders, added: "Besides, I can not imagine whence such joy should come to me. A boy's bell-like voice sang to me yesterday, 'Quia amore langueo. This heart, too, longs for love, but it will never find it on earth." "Why not, if your Majesty sends forth to seek it?" replied the confessor eagerly.
Finally, he had spoken of her singing with rapturous delight. At night the "Quia amore langueo" from the Mary motet had echoed softly from his lips, and when he perceived that Don Luis had heard him, he murmured that this peerless cry of longing, reminded him not of the earthly but the heavenly love.
The Emperor then carried on a short conversation with Quijada, which was unintelligible to Barbara; and after he had retired to summon the marquise, Charles profited, like an impetuous youth, by the brief period in which he was again alone with his love, and entreated her to consider that, if she remained absent long, the "amore langueo" would rob him of his reason.
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