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The second act opens with two orchestral movements, 'L'Abbandono, which describes the funeral of Anna, and 'La Tregenda, the dance of the Wilis. Robert now appears, torn by remorse, and pours forth his unavailing regrets. But the hour of repentance is past. Anna and her attendant Wilis rush on. The unfortunate man, in a kind of hypnotic trance, is drawn into their circling dance.
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