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After them, in turn, the consecrated from Prinkipo, especially those from the Kamares of the Basilissa, Irene, and the Convent of the Transfiguration.
They are fragments of the polychrome Cretan ware called, after the name of the place where it was first found in Crete, Kamares ware, and of a black ware ornamented with small punctures, which are often filled up with white. This latter ware has been found elsewhere associated with XIIIth Dynasty antiquities.
But at Knossos the chief evidence for the high state of civilization attained in this period is the pottery, which reaches a very advanced development. This is the age of the splendid polychrome vessels of the type called 'Kamares, from the cave on Mount Ida where they were first discovered by Mr. J. L. Myres.
Among the other treasures recovered by this season's work was a quantity of fine painted pottery which had fallen from the upper rooms into the basement when the palace floors collapsed. Some of the fragments were of that early polychrome style known as 'Kamares ware, from the cave on the southern slope of Mount Ida, where it was first discovered by Mr. J. L. Myres.
A distinct link between Egypt and Middle Minoan II. is afforded by the fact that at Kahun, close to the pyramid of Senusert II., near the Fayum, Professor Petrie discovered vases which are unquestionably of Kamares type, while the synchronism with the Twelfth Dynasty was fully established by Professor Garstang's discovery at Abydos of fragments of a polychrome vessel of late Middle Minoan II. type in an untouched tomb, which also contained glazed steatite cylinders with the names of Senusert III. and Amenemhat III. Middle Minoan II., then, equates with the times of the Twelfth Egyptian Dynasty, a period which was in many respects the most brilliant of Egyptian history.
At Phæstos, indeed, the remains of the earlier palace, consisting of the Theatral Area and West Court, with the one-columned portico at its south end, are of earlier date than the existing important architectural features at Knossos, belonging to the period known as Middle Minoan II., the time when the beautiful polychrome Kamares ware was in its glory, while the main scheme of the palace at Knossos, as at present existing, must be placed somewhere in the following period, Middle Minoan III.
Apart from the Kamares vases and one graceful flower fresco, little of importance has been found. The comparative absence of metal-work at Knossos can be explained by the greed of the plunderers who sacked the palace; but Phæstos is almost barren, not of metal-work alone.
The Minoan artist is beginning to feel his way towards that polychrome style of decoration which reached such a remarkable development in the Kamares vases of the succeeding stage.
Of the later pottery of Knossos, which substituted naturalistic motives, executed in monochrome, for the conventional polychrome designs of the Kamares period, many specimens were also found during the excavations of this season.
A scarped terrace overlooking the slope of the hill gives access to the shallow upper grotto, in which were found the remains of an altar, and close by a table of offerings, while the ground beneath the floor of the cave yielded, in regular stratification, Kamares ware, immediately above the virgin soil; then glazed ware, with cloudy brown stripes on a creamy slip; then regular Mycenæan ware, with the familiar marine and plant designs; and, uppermost, bronze.
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