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The New England States, he tells us, he did not visit; but that does not prevent his speaking glibly of their "bloody-minded and serious people," and of the "frigid intellectuality" of Boston, about both of which he knows as little as of Juvenal. This should serve to put us on our guard against some of his other generalizations, which may be based on premises as purely theoretic.
He was consigned to retreat in the Castle of Dijon ; he had become a weariness to official mankind. He took part in fencing matches with great success, and in 1791 his library was sold at Christie's, with his swords and jewels. The catalogue bears the motto, from Juvenal, Quale decus rerum, si virginis auctio fiat, no doubt selected by the learned little man.
He punished me by putting me to read for examination a passage of Juvenal, which I had never opened, as it did not come in the course even of the sophomores, but I passed fairly well on it, and he, with a little irritation, gave me the certificate, saying that it was not for what I did, but for what he knew me to be capable of.
Yet he cannot be called a writer of comedy, like MoliEre. He resembles Rabelais and Swift more than any other modern writers, and has their indignant wit, indecent jokes, and pungent sarcasms. He paints, like Juvenal, the vices and follies of his time, and exposes the hypocrisy that reigns in the high places of fashion and power.
Especially was this so in satiric and didactic poetry. Not only Dr. Johnson's adaptations from Juvenal, London, 1738, and the Vanity of Human Wishes, 1749, but Gifford's Baviad, 1791, and Maeviad, 1795, and Byron's English Bards and Scotch Reviewers, 1809, were in the verse and the manner of Pope. In Johnson's Lives of the Poets, 1781, Dryden and Pope are treated as the two greatest English poets.
He was learned even to erudition, and almost an Orientalist. Above all, he was good; and, a very simple thing to those who know how nearly goodness borders on grandeur, in the matter of poetry, he preferred the immense. He knew Italian, Latin, Greek, and Hebrew; and these served him only for the perusal of four poets: Dante, Juvenal, AEschylus, and Isaiah.
The rhetorical denunciations of writers like Seneca, Juvenal, and Tacitus are taken at their face value, and few have remembered the convention which obliged a satirist to be scathing, or the political prejudice of the Stoics against the monarchy, or the non-representative character of fashionable life in the capital. The modern Church historian, as Mr.
Tacitus lived in the same perilous times as Juvenal, and when they had come to an end and it was not unsafe to speak, he wrote their public history, which the poet illustrates by displaying the social and inner life of the Romans. Their works are parallel, and each forms a commentary upon the other.
She lived amid incessant broils. She had no care for the future, and exceeded men in prodigality. "The government of her house is no more merciful," says Juvenal, "than the court of a Sicilian tyrant." In order to render herself attractive, she exhausted all the arts of cosmetics and elaborate hair-dressing. She delighted in magical incantations and love-potions.
If we consider merely the subtlety of disquisition, the force of imagination, the perfect energy and elegance of expression which characterise the great works of Athenian genius, we must pronounce them intrinsically most valuable; but what shall we say when we reflect that from hence have sprung directly or indirectly, all the noblest creations of the human intellect; that from hence were the vast accomplishments and the brilliant fancy of Cicero; the withering fire of Juvenal; the plastic imagination of Dante; the humour of Cervantes; the comprehension of Bacon; the wit of Butler; the supreme and universal excellence of Shakspeare?
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