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For this reason Caesar tolerated the worship of the newly-settled Egyptian gods alongside of Father Jovis, and granted even to the Jews the free exercise of their strangely foreign ritual in the very capital of the empire.
It was in the year 1616 that Hals first became known as a master of his art by the painting of the St. Jovis Shooting Company, one of the clubs composed of volunteers banded together for the defence of the town should occasion arise.
In the list of festivals certainly Father Diovis a purer and more civil than military reflection of the character of the Roman community occupies a larger space than Mars, just as the priest of Jupiter has precedence over the two priests of the god of war; but the latter still plays a very prominent part in the list, and it is even quite likely that, when this arrangement of festivals was established, Jovis stood by the side of Mars like Ahuramazda by the side of Mithra, and that the worship of the warlike Roman community still really centred at this time in the martial god of death and his March festival, while it was not the "care-destroyer" afterwards introduced by the Greeks, but Father Jovis himself, who was regarded as the god of the heart-gladdening wine.
People came from great distances to be healed by its magic glance, and the mountain on which he dwelt was the mountain of the Columna Jovis. This became changed, in time, to Colonne Joux, the Mountain of the Column of Jove.
Near this is the temple erected by Augustus to Jupiter Tonans and that built by Domitian to Jupiter Gustos. But all the sacred edifices which crown the Capitoline are subordinate to the Templum Jovis Capitolini, standing on a platform of eight thousand square feet, and built of the richest materials.
A tiny chapel in charge of a hermit now crowns the plateau which forms the highest point of the Villa Jovis; on three sides of the height the cliff falls in a sheer descent of more than a thousand feet to the sea, on the fourth the terrace walls are formed of fragments of brick and marble which recall the hanging gardens that swept downwards to the plain.
Before even the museum can have a real interest for us, we must go back to the early times when Mont St Michel was a bare rock; when it was not even an island, and when the bay of Mont St Michel was covered by the forest of Scissey. It seems that the Romans raised a shrine to Jupiter on the rock, which soon gave to it the name of Mons Jovis, afterwards to be contracted into Mont-Jou.
But it was not against the long ago enfeebled throne of Jovis that these flaming words were hurled; just like Ennius, Lucretius fights practically above all things against the wild foreign faiths and superstitions of, the multitude, the worship of the Great Mother for instance and the childish lightning-lore of the Etruscans.
Jovis rises into importance with the growth of city life; he comes to be called father Jovis, Jupiter; there are many Jupiters, but the Jupiter of the city of Rome is the greatest and best of all; he bears the title of Optimus Maximus.
The two discoveries of Captain Jovis, the varnish principally, are of inestimable value in the art of ballooning. The crowd has begun to talk, and some men, who appear to be specialists, affirm with authority that we shall come down before reaching the fortifications.
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