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Inspired perhaps by Greek phrases, by the superb collection of Greek vases in the old Pinakotheck in Munich, Isadora cast the knowledge she had gleaned of the dancer's training from her. At least she forced it to be subservient to her new wishes. She flung aside her memory of the entrechat and the pirouette, the studied technique of the ballet; but in so doing she unveiled her own soul.

"I am hot, but I am not tired," replied the other. "I could dance all night, my dear, without tiring. Did you really like the children, Ruth?" "They were lovely. You have done wonders with them." "Regular Isadora Duncan stuff," sighed Peter Snipe, drawing lazily at his pipe.

"People with good sense don't act like that. She was doing an Isadora Duncan when I saw her. Dancing if you care to call it that! Anyhow, her hair was hanging, she was flapping her arms and jiggling up and down." Delamater laughed at the memory. "There's a big, awkward bird sort of a crane or buzzard of some kind that dances. I never saw one, but she reminded me of it. And she sang!

Sermons might be preached from the text and many painters would touch the subject with reverence. Manet might have painted Isadora with one of the carpet slippers half depending from a bare, rosy-white foot. There are many fables concerning the beginning of Isadora's career.

You couldn't blame him much, either; for, while I ain't any judge of the sort of music she was teasin' out of the strings, I'll say this much: The way she was doin' it was well worth watchin'. The swing of that elbow of hers, and the Isadora Duncan sway of her shoulders as she hits the high notes sure did have some class to it.

If citizenship is a mere legal figment, by what right do States send their citizens to war? Yet women are theoretically transferred, body and bone, heart, memory, and soul, to whatever country or nation their husbands happen to give allegiance to. Isadora Duncan, born in California, of generations of Californians, and American all her life, has lately married a young Russian poet.

It is imaginable that the authors of Prunella could see their way to combine with work somewhat on the lines of their charming piece such ideas of dancing as have been suggested by Isadora Duncan. The result should be a novel, delightful form of art, not necessarily hybrid.

The whole might be worked out in the spirit in which children play King William was King James's Son, London Bridge.... The main revolution necessary for dancing improvisers, who would go a longer way with the Poem Game idea is to shake off the Isadora Duncan and the Russian precedents for a while, and abolish the orchestra and piano, replacing all these with the natural meaning and cadences of English speech.

In the Marche Slav of Tschaikovsky Isadora symbolizes her conception of the Russian moujik rising from slavery to freedom. With her hands bound behind her back, groping, stumbling, head-bowed, knees bent, she struggles forward, clad only in a short red garment that barely covers her thighs. With furtive glances of extreme despair she peers above and ahead.

Isadora Kantor, blue-shaven, aquiline, and already greying at the temples; his five-year-old son, Leon; a soft little pouter-pigeon of a wife, too, enormous of bust, in glittering ear-drops and a wrist-watch of diamonds half buried in chubby wrist; Miss Esther Kantor, pink and pretty; Rudolph; Boris, not yet done with growing-pains.