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Every philosopher is now expected to show the bearing of his system on morality and religion, and the criticism is often justified that however bold the speculations of the thinker, he is careful, when he comes to conduct, to be conventional enough. The Hellenistic combination of Platonic metaphysics with Stoic ethics is still the dominant type of Christian religious philosophy.

In this he remains a pure Hebrew. But he does not appear to see any danger in allowing his Hellenistic churches to assimilate the worship of Christ to the honours paid to the gods of the mysteries, and to set their whole religion in this framework, provided only that they have no part nor lot with those who sit at 'the table of demons' the sacramental love-feasts of the heathen mysteries.

Where the way was thus paved, the Hellenistic irreligious spirit found free course. In connection with the incipient taste for art the sacred images of the gods began as early as the time of Cato to be employed, like other furniture, in adorning the chambers of the rich. More dangerous wounds were inflicted on religion by the rising literature.

It is also said that after hearing of this reply Demetrius refrained from burning the town, in order to preserve the pictures of Protogenes. The ancient writers mention many other Greek painters, but none as important as those of whom we have spoken. Greek painting never reached a higher point than it had gained at the beginning of the Hellenistic age.

Its great influence is seen from numerous similar attempts in the Hellenistic world. At Rome, in the second century, Ennius translated his works into Latin, and as late as the time of Augustus an author such as Diodorus, in his popular history of the world, served up Euhemerism as the best scientific explanation of the origin of religion.

Nor is there any reason to doubt the correctness of this tradition, which is probably that of Antioch itself. A little later Barnabas came down from Jerusalem to Antioch. Acts does not state, but seems to imply, that he came down, as Peter had come to Samaria, in order to criticise and control Hellenistic enthusiasm.

A more radical standpoint than this as regards the gods of the popular faith is not found during the Hellenistic period except among the less noted schools, and in the beginning of the period.

The old Third Stage, therefore, becomes now a Fourth, comprising the later and more popular movements of the Hellenistic Age, a period based on the consciousness of manifold failure, and consequently touched both with morbidity and with that spiritual exaltation which is so often the companion of morbidity.

The worshipper of Bacchos became Bacchos simply enough, because in reality the God Bacchos was originally only the projection of the human Bacchoi. And in the Hellenistic age the notion of these secondary mediating gods was made easier by the analogy of the human interpreters.

Most of the characteristic Syrian products of all these Periods do not differ materially from those found in other East Mediterranean lands, e.g. Greece and Asia Minor. Two classes of objects, examples of the first of which are mostly of Age III, but may be Persian, Hellenistic, or even Roman, are very commonly met with in Syria: 1.