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One knows that on this strip of land Naville dug out at Deir-el-Bahari the temple of Mentu-hotep, and discovered later, in her shrine, Hathor, the cow-goddess, with the lotus-plants streaming from her sacred forehead to her feet; that long before him Mariette here brought to the light at Drah-abu'l-Neggah the treasures of kings of the twelfth and thirteenth dynasties; that at the foot of those tiger-colored precipices Theodore M. Davis the American found the sepulcher of Queen Hatshepsu, the Queen Elizabeth of the old Egyptian world, and, later, the tomb of Yuaa and Thuaa, the parents of Queen Thiy, containing mummy-cases covered with gold, jars of oil and wine, gold, silver, and alabaster boxes, a bed decorated with gilded ivory a chair with gilded plaster reliefs, chairs of state, and a chariot; that here Maspero, Victor Loret, Brugsch Bey, and other patient workers gave to the world tombs that had been hidden and unknown for centuries; that there to the north is the temple of Kurna, and over there the Ramesseum; that those rows of little pillars close under the mountain, and looking strangely modern, are the pillars of Hatshepsu's temple, which bears upon its walls the pictures of the expedition to the historic land of Punt; that the kings were buried there, and there the queens and the princes of the vanished dynasties; that beyond to the west is the temple of Deir-el-Medinet with its judgment of the dead; that here by the native village is Medinet-Abu.
Excavated by M. Naville, 1896; repaired by Mr. Howard Carter, 1904. The supposed originality of Hatshepsu's temple is then non-existent; it was a copy of the older design, in fact, a magnificent piece of archaism. But Hatshepsu's architects copied this feature only; the actual arrangements on the platforms in the two temples are as different as they can possibly be.
The niches full of bright hues, the arched chapels, the small white steps leading upward to shallow sanctuaries, the small black foxes facing each other on little yellow pedestals attract one like the details and amusing ornaments of a clever woman's boudoir. Through this most characteristic temple one roves in a gaily attentive mood, feeling all the time Hatshepsu's fascination.
This is the famous gate on which the jealous Thothmes III chiselled out Hatshepsu's name in the royal cartouches and inserted his own in its place; but he forgot to alter the gender of the pronouns in the accompanying inscription, which therefore reads "King Thothmes III, she made this monument to her father Amen." Among Prof.
The two chief Egyptian representations of these people, who since they lived in Greece may be called Greeks, though their more proper title would be "Pe-lasgians," are to be found in the tombs of Rekhmarâ and Senmut, the former a vizier under Thothmes III, the latter the architect of Hatshepsu's temple at Dêr el-Bahari. Senmut's tomb is a new rediscovery.
Very possibly this was the original cave-shrine of Hathor, long before Mentuhetep's time, and was incorporated with the Great Temple and beautified with the addition of a pillared hall before it, built over part of the XIth Dynasty north court and wall, by Hatshepsu's architects. The Great Temple, the excavation of which for the Egypt Exploration Fund was successfully brought to an end by Prof.
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