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And if we refuse, sunk in our own selfish interests and pleasures, and content that the daughters of the people should perish as long as our own are safe, then it will not be by an European coalition that the British Empire will perish, it will be by moral decay from within; in Blake's rough, strong words: "The harlot's curse from street to street Shall be old England's winding sheet."

The fuglemen were determined to find something wonderful in everything he did, and the title of "The Harlot's House," shocking Philistinism, gave them a certain opportunity which they used to the uttermost. On all sides one was asked: "Have you seen Oscar's latest?" And then the last verse would be quoted: "Divine, don't ye think?"

March 25, 1729, Hogarth contracted a stolen marriage with the only daughter of the once fashionable painter, Sir James Thornhill. The father, for some time implacable, relented at last; and the reconciliation, it is said, was much forwarded by his admiration of the "Harlot's Progress," a series of six prints, commenced in 1731 and published in 1734. The novelty as well as merit of this series of prints won for them extraordinary popularity; and their success encouraged Hogarth to undertake a similar history of the "Rake's Progress," in eight prints, which appeared in 1735. The third, and perhaps the most popular, as it is the least objectionable of these pictorial novels, "Marriage

Very naively he offered heaven, by way of expiatory anguish, the abominable torment from which he was suffering. This torment grew and increased, and he would climb his Calvary with the deep and solemn feelings of a believer, though steeped in a harlot's fierce sensuality. That which made his agony most poignant was this woman's continued faithlessness.

Writing that he was sick and lonely and unable to have her with him, and at the same time running around with a strange woman. "Ashes of Roses!" Oh, curses, curses, curses on her harlot's heart and brain! Might God strike her dead for her cynical, brutal seizing upon that sacred possession which belonged to another. She wrung her hands desperately. Angela was fairly beside herself.

She was, indeed, rather inclined to favour the parson's principles; but Square's person was more agreeable to her eye, for he was a comely man; whereas the pedagogue did in countenance very nearly resemble that gentleman, who, in the Harlot's Progress, is seen correcting the ladies in Bridewell.

She'll insult you." "Let her insult me. Let her spit on me. She has an immortal soul, and I must do all that is in my power to save it." Mrs Davidson's ears rang still with the harlot's mocking laughter. "She's gone too far." "Too far for the mercy of God?" His eyes lit up suddenly and his voice grew mellow and soft. "Never.

His dependence upon divine power was rude, and divorced from elevation of character and morality, but howsoever imperfect, fragmentary, and I might almost say to our more trained eyes, grotesque, it looks, yet there was a reality in it; and when the man was faithless to his vow, and allowed the crafty harlot's scissors to shear from his head the token of his consecration, it was because the reality of the consecration, rude and external as that consecration was, both in itself and in its consequences, had passed away from him.

Whether she sat to my friend Hogarth, or no, I will not determine; but she exactly resembled the young woman who is pouring out her mistress's tea in the third picture of the Harlot's Progress.

No fairer was Goldwin Smith's cynical observation that the alliance between Macdonald and Brown in 1864 was 'as brief and perfidious as a harlot's love'; but nobody at any rate, no Canadian public man ever looked for fairness from Goldwin Smith, whose idea of independence seemed to consist of being alternately unjust to each side.