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He could not tell, for instance, whether she had noticed his absorption in that Goya picture, "La Vendimia," or whether she knew that he had slipped back there after lunch and again next morning, to stand before it full half an hour, a second and third time.

Centuries of sculptors carved marble and berroqueña; armies of artisans wrought marvels in cloths, metals, precious stones, glass, and wood, and a host of painters, both foreign and national, from Goya and Ribera to the Greco and Rubens, painted religious compositions for the sacristy and chapels.

The young man's ears seemed to droop on his skull. 'He's not dense, thought Soames, following him off the premises. Goya, with his satiric and surpassing precision, his original "line," and the daring of his light and shade, could have reproduced to admiration the group assembled round Annette's tea-tray in the inglenook below.

She was spoiled! Ah! and who had spoiled her? He stood still before the Goya copy. Accustomed to her own way in everything. Flower of his life! And now that she couldn't have it! He turned to the window for some air. Daylight was dying, the moon rising, gold behind the poplars! What sound was that? Why! That piano thing! A dark tune, with a thrum and a throb!

On lifting the lid it was found to contain a most lovely specimen of both bulb and flower of the Goya lily, which I have already described, in full bloom and quite uninjured, and what was more a note in Flossie's childish hand written in pencil upon a greasy piece of paper that had been used to wrap up some food in:

He could not tell, for instance, whether she had noticed his absorption in that Goya picture, "La Vendimia," or whether she knew that he had slipped back there after lunch and again next morning, to stand before it full half an hour, a second and third time.

He belongs to the fierce tribe of synics and men of exuberant powers, like Goya and Courbet. A born anarch of art, he submitted to no yoke. He would have said with Anacharsis Cloots: "I belong to the party of indignation." He was a proud individualist.

And his mother's were sharpened by all three. In Granada he was fairly caught, sitting on a sun-warmed stone bench in a little battlemented garden on the Alhambra hill, whence he ought to have been looking at the view. His mother, he had thought, was examining the potted stocks between the polled acacias, when her voice said: "Is that your favourite Goya, Jon?"

On that visit he had as never before commissioned a copy of a fresco painting called "La Vendimia," wherein was the figure of a girl with an arm akimbo, who had reminded him of his daughter. He had it now in the Gallery at Mapledurham, and rather poor it was you couldn't copy Goya.

It held one arm akimbo, and the other raised right-angled holding a fan which touched its head. "This ought to be a basket of grapes," it whispered, "but I haven't got it here. It's my Goya dress. And this is the attitude in the picture. Do you like it?" "It's a dream." The apparition pirouetted. "Touch it, and see." Jon knelt down and took the skirt reverently.