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His last opera, "Les Paladins," was given in 1760, the composer being then seventy-seven. The bitterness of the art-feuds of that day, afterward shown in the Gluck-Piccini contest, was foreshadowed in that waged by Rameau against Lulli, and finally against the Italian newcomers, who sought to take possession of the French stage.

Cherubini passed through Paris in 1784, while the Gluck-Piccini excitement was yet warm, and visited London as composer for the Royal Italian Opera. Here he became a constant visitor in courtly circles, and the Prince of Wales, the Duke of Queensbury, and other noble amateurs, conceived the warmest admiration for his character and abilities.

The musical quarrels of the time were almost as interesting as the Gluck-Piccini war in Paris in the latter part of the same century, and the literati took part in it with a zest and wit not less piquant and noticeable.

While the Gluck-Piccini battle was at its height, an amateur who was disgusted with the contest returned to the country and sang the praises of the birds and their gratuitous performances in the following epigram: "La n'est point d'art, d'ennui scientifique; Piccini, Gluck, n'ont point noté les airs. Nature seule en dicta la musique, Et Marmontel n'en a pas fait les vers."