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But Rome, while she lent her imperial quality of grandeur to the genius of her aliens, was in no sense originative. Rome produced no first-rate master from her own children, if we except Giulio Romano. The title of originality is due rather to Padua, the birthplace of Mantegna, or to Parma, the city of Correggio, whose works display independence of either Florentine or Venetian traditions.

"No, it was wonderful" he admitted, reluctantly; "Especially for a first attempt. And now she declares she will travel with the 'White Eagle' alone! Alone! Think of it! That little creature alone in the air with a huge air-ship under her sole control! The very idea is madness!" "Have patience, Giulio!" said Don Aloysius, gently "I think she cannot mean what she says in this particular instance.

"Tu to trompes, ma soeur," replied Giulio Franzini, Count di Peschiera, in French as usual, "tu to trompes; I knew it before he had gone through exile and penury. How can I know it now? But comfort yourself, my too anxious Beatrice, I shall not care for his consent, till I 've made sure of his daughter's." "But how win that in despite of the father?"

Justi was the first to demonstrate his Cretan ancestry, which was corroborated in 1893 by Bikelas. In 1570, we learn through a letter written by Giulio Clovio to Cardinal Farnese, El Greco had astonished Roman artists by his skill in portraiture. He was said to be a pupil of Titian, on Clovio's authority. Why he went to Spain has not been discovered.

The morning after his death his physician's door was found decorated with garlands of flowers, bearing this inscription: "To the liberator of his country." Giulio di Medici and Pompeo Colonna were again rival candidates.

There remained four arches beneath the vaulting, each twelve braccia in breadth and six in height, which were not painted at that time, but many years afterwards by Giorgio Vasari, as a young man of eighteen years, when he was in the service of Duke Alessandro de' Medici, his first lord, in the year 1535; which Giorgio executed there stories from the life of Julius Cæsar, in allusion to the above-named Cardinal Giulio, who had caused the work to be done.

And Giulio Mazzoni of Piacenza has likewise been a disciple of Daniello; which Giulio received his first instruction from Vasari, when Giorgio was executing in Florence an altar-piece for M. Biagio Mei, which was sent to Lucca and placed in S. Piero Cigoli, and when the same Giorgio was painting the altar-piece of the high-altar and a great work in the refectory of Monte Oliveto at Naples, besides the Sacristy of S. Giovanni Carbonaro and the doors of the organ in the Piscopio, with other altar-pieces and pictures.

Perugino's influence, however, if not his hand, is sufficiently obvious. 1506, unknown Portrait, is another doubtful Raphael, confidently attributed by Morelli to Perugino's pupil, Bacchiacca. We are on more certain ground with 1497, the popular Virgin of the Diadem, undoubtedly designed by the master during his Roman period, and probably executed by his pupil, Giulio Romano. 1501, St.

In short, Alphonso regains all that he lost on the day in which his daughter gives her hand to Giulio Franzini, Count di Peschiera. Ah," continued the count, mournfully, "you shriek, you recoil. He thus submitted to your choice is indeed unworthy of you. You are scarce in the spring of life, he is in its waning autumn. Youth loves youth. He does not aspire to your love.

"It is not a compliment" he declared, vehemently; "It is a truth!" Her eyes dwelt on him with a wistful kindness. "You are what some people call 'a good fellow, Giulio!" she said "And you deserve to be very happy. I hope you will be so!