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"I do, son; I do! Even Mannie should have his share of good-by." To Gina Berg: "They want me to play that little arrangement of mine from Allan Seegar's poem. 'I Have a Rendezvous...." "It it's beautiful, Leon. I was to have sung it on my program to-night only, I'm afraid you had better not here now " "Please, Leon! Nothing you play can ever make me as sad as it makes me glad.
"You have washed your hands of me so often; and, like the blood of King Duncan of Scotland, I am upon them still. 'All the perfumes of Arabia will not sweeten this little hand." Then, raising her voice: "Garth, if you want to walk, just give a call. I am here, talking over my trousseau with Aunt 'Gina." "What is a trousseau?" came back in Garth's happy voice.
Ginsberg, not unlike his colleague in rotundities, held out a short, a dimpled hand. "It's a proud day," he said, "for me to shake the hands from mine old friend's son and the finest violinist livink to-day. My little daughter " "Yes, yes, Gina. Here, shake hands with him. Leon, they say a voice like a fountain. Gina Berg eh, Ginsberg is how you stage-named her?
The pioneer of the organized movement was Miss Gina Krog, who, after having written and lectured on the subject for years, founded the Christiania Woman Suffrage Union in 1885. She was moved to do this by reading the early volumes of the History of Woman Suffrage, published about this time and sent by Miss Susan B. Anthony to the university at Christiania.
At the end of the Thirties, he was again, like Bruce's spider, renewing his efforts to climb on to the stage. He had three pieces in hand, La Gina, Richard the Sponge-Heart, and his School for Husbands and Wives, already mentioned. The last he had now managed to carry through to its conclusion; and, in February 1839 there seemed to be some prospect of his getting it played.
Then, in 1836, he reverted to Marie Touchet, and composed La Gina, a drama in three acts, and Richard the Sponge-Hearted. Finally, in 1839, he wrote for the Renaissance Theatre The School of Married Life, with the obscure aid of Lassailly, a five-act play for which he was offered an award of six thousand francs, and which he himself produced in print.
"I think it was the nicest thing that ever happened in the world." "All the way here in the train, I kept saying crazy crazy running to tell Leon Lieutenant Kantor good-bye when you haven't even seen him three times in three years " "But each each of those three times we we've remembered, Gina."
Mannie should have, too, his good-by." "All right, then, ma, if if you're sure you want it. Will you sing it, Gina?" She had risen. "Why, yes, Leon."
"Good!" said Rodolphe to himself, "she is not startled by hearing me speak her name; she had, no doubt, foreseen that I should ask Gina she is so cunning. What is your quarrel with me?" he went on, going at last to sit down by her side, and asking her by a gesture to give him her hand, which she withdrew. "You are cold and ceremonious; what, in colloquial language, we should call short."
"Get quickly back to Gersau," she said to the boatmen, "I will not let my poor Emilio pine ten minutes longer than he need." "What has happened?" asked Rodolphe, as he saw Francesca finish reading the last letter. "La liberta!" she exclaimed, with an artist's enthusiasm. "E denaro!" added Gina, like an echo, for she had found her tongue. "Yes," said Francesca, "no more poverty!
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