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The tradition is confirmed by the style and contents of his poems and it has been noted by Foucher that his treatment of legends is in remarkable accord with their artistic presentment in the Gandharan sculptures. Also fragmentary manuscripts of his dramas discovered in Central Asia appear to date from the Kushan epoch.
Legends ascribe Kanishka's fervour for the Buddhist faith not to education but to conversion. His coinage, of which abundant specimens have been preserved, confirms this for it presents images of Greek, Persian, Indian and perhaps Babylonian deities showing how varied was the mythology which may have mingled with Gandharan Buddhism.
It is said to have originally belonged to the school of the Sarvâstivâdins and to have been subsequently accepted by the Mahayanists, and though it is not an epic but a collection of ballads and legends, yet it often reads as if it were a preliminary study for Aśvaghosha's Buddhacarita. It is probably coeval with the earlier Gandharan art but there are no facts to fix its date.
But the description is of doubtful accuracy. The style of religious art known as Gandharan flourished in his reign and he convened a council which fixed the canon of the Sarvâstivâdins.
In the reliefs of Asoka's time, the image of the Buddha never appears, and, as in the earliest Christian art, the intention of the sculptors is to illustrate an edifying narrative rather than to provide an object of worship. But in the Gandharan sculptures, which are a branch of Græco-Roman art, he is habitually represented by a figure modelled on the conventional type of Apollo.
It was embellished with masterpieces of Gandharan sculpture and its chief ornament was a great stûpa built by the king for the reception of the relics of the Buddha which he collected. This building is described by several Chinese pilgrims and its proportions, though variously stated, were sufficient to render it celebrated in all the Buddhist world.
But other parts seem to belong to the Gandharan period and the mention of Chinese and Hunnish writing points to a much later date. If it was originally a Vinaya treatise, it has been distended out of all recognition by the addition of legends and anecdotes but it still retains a certain amount of matter found also in the Pali and Tibetan Vinayas.
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