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"In placing it upright on the pedestal, Fontana considered the method adopted by the ancients as the least difficult; which was to rest one end on two globes, then draw the point round, raising it at the same time, afterwards letting it fall perpendicularly on the pedestal.
Next, if you climb up from this "Fontana rotta" to the village by the footpath, you will observe, on your right hand as you ascend the slope, at about a hundred yards below the Church of Saint Anthony, an old well standing in a field of corn and shaded by three walnuts and an oak. This well is still running, and was described to me as "molto antico."
Opus 68, the second of the Fontana set, was composed in 1830. The first, in C, is commonplace; the one in A minor, composed in 1827, is much better, being lighter and well made; the third, in F major, 1830, weak and trivial, and the fourth, in F minor, 1849, interesting because it is said by Julius Fontana to be Chopin's last composition.
It cannot have been much later that the church of S. Pier Maggiore, of which I have already spoken, came into Franciscan hands, and certainly from 1261 it was called S. Francesco, when the archbishop Filippo Fontana handed it over to the Conventuals who held it till 1810.
And since there was not room in the Castello, where the court officials and servants who were daily lodged and fed within its precincts already numbered some two hundred, for the whole of the suite, the remainder were to be entertained at the duke's expense at the different inns of the city, at the sign of the Stella, the Fontana and Campana.
The more striking of these systems were recognised and drawn at a very early stage of telescopic observation, as may be seen if we consult the quaint old charts of Hevel, Riccioli, Fontana, and other observers of the seventeenth century, where they are always prominently, though very inaccurately, portrayed.
Peter's square, by Domenico Fontana, is extracted from Milizia's life of that famous architect. It shows plainly that the Egyptians must have attained great skill and perfection in mechanics and engineering, to have been able to quarry out obelisks at least a third larger, and convey them often several hundred miles, to the places where they erected them.
He was in Florence before me, having come by a different route; and neither of us had known anything about the other's intention to quit Paris. He asked me at once where I was stopping, and I told him at the Hotel a la Fontana, not deeming it necessary to add that I was then on my way there to pack up my traveling-bag and pay my bill.
Then their talk shifted again, and it was of the vintage they discoursed, the fine yield of grapes about Fontana Fredda, and the heavy crop of oil that there would be that year. And then with the hum of their voices gradually receding, it ceased altogether for me, and I was asleep with my head pillowed upon my arms.
The letters you will leave in the writing-desk, and send the music to Johnnie, or take it to your own house. In the little table that stands in the anteroom there are also letters; you must lock it well. My love to Johnnie, I am glad he is better. Chopin to Fontana; March 17, 1839: I thank you for all your efforts. Pleyel is a scoundrel, Probst a scape-grace.
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