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A river falls in a series of sparkling cascades from the Fountain of Trevi and the Fontana Paolina into deep, immense basins; and even into the marble sarcophagi of ancient kings, with their gracefully sculptured sides, telling some story of Arcadian times, whose nymphs and naiads are in beautiful harmony with the rustic murmur of the stream, is falling a gush of living water in many a palace courtyard.
And now let the reader recall the words which Chopin wrote from Nohant to Fontana in the summer of 1839: I am composing here a Sonata in B flat minor, in which will be the funeral march which you have already. There is an Allegro, then a Scherzo, in E flat minor, the March, and a short Finale of about three pages.
"I'll gamble she's down to the police station right now, lookin' for me. An' I want the cops t' kinda forgit about me. I got to talkin' along an' plumb forgot I wasn't headed home." "Aw, you can 'phone from Fontana. I'll have to stop there anyway for gas. Say, why don't yuh stall 'er off till morning? You couldn't get home for supper now if yuh went by wireless.
During the night of the 24th the remaining peak of Malga Fossetta, held by the Austrians, Fontana Mosciar, and the extremely important Mandrielle were taken by storm, while the Alpini on the right made themselves masters of the Cima Zucadini by the 22d.
Julius Fontana, one of the first friends of the boy he committed suicide in Paris, December 31, 1869, says that at the age of twelve Chopin knew so much that he was left to himself with the usual good and ill results. He first played on February 24, 1818, a concerto by Gyrowetz and was so pleased with his new collar that he naively told his mother, "Everybody was looking at my collar."
The F minor Valse, op. 69, No. 1, has a charm of its own. Kullak prints the Fontana and Klindworth variants. This valse is suavely melancholy, but not so melancholy as the B minor of the same opus. It recalls in color the B minor mazurka. Very gay and sprightly is the G flat Valse, op. 70, No.
All other Arts of perpetuating our Ideas continue but a short Time: Statues can last but a few Thousands of Years, Edifices fewer, and Colours still fewer than Edifices. Michael Angelo, Fontana, and Raphael, will hereafter be what Phidias, Vitruvius, and Apelles are at present; the Names of great Statuaries, Architects and Painters, whose Works are lost.
It is not without significance that the first modern eclogues were from the same pen as the sonnet 'Fontana di dolore, albergo d'ira, expressive of the shame with which earnest sons of the Church contemplated the captivity of the holy father at Avignon; for thus on the very threshold of Arcadia we are met with those bitter denunciations of ecclesiastical corruption which strike so characteristic a note in the works of the satirical Mantuan, and seem so out of place in the songs of Spenser and Milton.
The Fontana dell' Aqua Felice, near the baths of Diocletian, has a fine statue of Moses striking the rock, by Prospero da Brescia, who is said to have died of mortification at the ridicule excited by the figure of the great lawgiver, in which a slight uncouthness is certainly perceptible. The figures of Aaron and Gideon have been added to the group by other artists.
It had been my purpose to go to the Fontana Paolina; but, finding that the distance was too great, and being weighed down with a Roman lassitude, I concluded to go into St. Peter's. Here I looked at Michael Angelo's Pieta, a representation of the dead Christ, in his mother's lap.
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