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The first critic to call Compagni's authenticity in question was Pietro Fanfani, in an article of Il Pievano Arlotto, 1858. The cause was taken up, shortly after this date, by an abler German authority, P. Scheffer-Boichorst. The works which I have studied on this subject are, 1. Florentiner Studien, von P. Scheffer-Boichorst, Leipzig, Hirzel, 1874. 2.
Very different is the character of the historical literature which starts into being in Florence at the opening of the fourteenth century. See Paul Scheffer-Boichorst, Florentiner Studien, Leipzig, 1874, Carl Hegel, in his defense of Compagni, Die Chronik des Dino Compagni, Versuch einer Rettung, Leipzig, 1875, admits the proof of spuriousness. See the preface, p. v.
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