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Scheffer-Boichorst, in his most recent pamphlet, committed himself to the opinion that either Lo Stradino himself, nicknamed Cronaca Scorretta by his Florentine cronies, or one of his contemporaries, was the forger. An Italian impugner of the 'Chronicle, Giusto Grion of Verona, declared for Antonfrancesco Doni as the fabricator.

The analysis of style receives a different development from Scheffer-Boichorst. In his last essay he undertakes to show that many passages of the 'Chronicle, especially the important one which refers to the Ordinamenti della Giustizia, have been borrowed from Villani. This critical weapon is difficult to handle, for it almost always cuts both ways.

The first critic to call Compagni's authenticity in question was Pietro Fanfani, in an article of Il Pievano Arlotto, 1858. The cause was taken up, shortly after this date, by an abler German authority, P. Scheffer-Boichorst. The works which I have studied on this subject are, 1. Florentiner Studien, von P. Scheffer-Boichorst, Leipzig, Hirzel, 1874. 2.

Dino Compagni vendicato dalla Calunnia di Scrittore della Cronica, di Pietro Fanfani, Milano, Carrara, 1875. 3. Die Chronik des Dino Compagni, Versuch einer Rettung, von Dr. Carl Hegel, Leipzig, Hirzel, 1875. 4. Die Chronik des Dino Compagni, Kritik der Hegelschen Schrift, von P. Scheffer-Boichorst, Leipzig, Hirzel, 1875. 5.

Without, therefore, venturing to express a decided opinion on a question which still divides the most competent Italian judges, I see no reason to despair of the problem being ultimately solved in a way less unfavorable to Dino Compagni than Scheffer-Boichorst and Fanfani would approve of.

Very different is the character of the historical literature which starts into being in Florence at the opening of the fourteenth century. See Paul Scheffer-Boichorst, Florentiner Studien, Leipzig, 1874, Carl Hegel, in his defense of Compagni, Die Chronik des Dino Compagni, Versuch einer Rettung, Leipzig, 1875, admits the proof of spuriousness. See the preface, p. v.