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Federigo Baroccio, of Urbino, born in 1528, died in 1612, was also a follower of Correggio's, and made a stand against the decline of art in his day. He was tender and idyllic, though apt in his turn to be affected and sentimental. When painting in the Vatican, Rome, his rivals sought to take his life by poison.
She knew that Federigo had long loved her and had never gotten of her so much as a glance of the eye; wherefore quoth she in herself, 'How shall I send or go to him to seek of him this falcon, which is, by all I hear, the best that ever flew and which, to boot, maintaineth him in the world?
Having thus resolved to serve Farnese and also to finish the chapel in S. Marcello, he obtained for Federigo from M. Tizio da Spoleti, the master of the household to the above-named Cardinal, the commission to paint the façade of a house that he had on the Piazza della Dogana, near S. Eustachio; which was very welcome to Federigo, for he had never desired anything so much as to have some work altogether for himself.
Federigo offered to surrender to the French all the fortresses that still held for him, on condition that he should have safe-conduct to Ischia and liberty to remain there for six months. This was agreed, and Federigo was further permitted to take with him his moveable possessions and his artillery, which latter, however, he afterwards sold to the Pope.
And Count Baldassarre Castiglioni, who was then in Rome as ambassador from Federigo Gonzaga, Marquis of Mantua, and was much the friend, as has been related, of Giulio, having been commanded by his master the Marquis to send him an architect of whom he might avail himself for the necessities of his palace and of the city, the Marquis adding that he would particularly like to have Giulio the Count, I say, so wrought upon him with entreaties and promises, that Giulio said that he would go, provided that he could do this with the leave of Pope Clement; which leave having been obtained, the Count, setting out for Mantua, from which he was then to go on behalf of the Pope to the Emperor, took Giulio with him; and having arrived there, he presented him to the Marquis, who, after welcoming him warmly, caused an honourably appointed house to be given to him, together with a salary and also a good table for himself, for his disciple Benedetto Pagni, and for another young man who was in his service; and, what is more, the Marquis sent him several canne of velvet, satin, and other kinds of silk and cloth wherewith to clothe himself.
She heard a step overhead, in the topmost apartment, or mansarde of the palace, a step that presently traversed the whole length of the floor immediately above her head and began to descend the stair. Strange! Federigo must have shut the great gates by this time as she had bade him? He himself inhabited the smaller entresol on the farther side of the palace, far away.
Federigo had been his inseparable companion through all the vicissitudes of his southern life; the secret of his faithful attachment, as Salvé suspected, being that the latter had saved money, which he had turned into gold pieces and kept in a belt round his waist. He had never, like Federigo, sought occasions to squander his pay on land in gambling or in other diversions.
Michael Angelo transferred the work of finishing from Pietro to Federigo Frizzi. Sebastiano goes on to say: "Pietro is most malignant now that he is cast off by you. He does not seem to value you or any one else alive, but thinks he is a great master; he will find out what he is fast enough, for I believe the poor young man will never know how to make statues. He has forgotten the art.
Which Federigo, having taken courage, afterwards executed by himself a Mount Parnassus in the recess of a ceiling in the house of a Roman gentleman called Stefano Margani, below the steps of the Araceli.
Having thus so many works on his hands, Taddeo was every day urging Federigo to return from Venice.
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