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They turned his exquisitely naïve humour into their own coarseness, they put doubles entendre into his mouth, they blurred his female faces, as a picture is blurred when the hand of a Vandal is drawn over its yet wet colours, and they turned his natural descriptions into the natural descriptions of "Windsor Forest" and the "Fables."
She came back pensive, and then the lantern of her intelligence opened, and received a bright light, which made a thousand things clear, such as church and other pictures, fables, and lays of the troubadours, or the domestic arrangements of birds; suddenly she discovered the sweet mystery of love written in all languages, even in that of the Carps'. Is it not silly thus to seal this science from maidens?
In this lecture, which is in some respects an introduction to those that will follow on the heroes and sages of Greek, Roman, and Christian antiquity, it is of more importance to present Oriental countries and institutions than any particular character, interesting as he may be, especially since as to biography one is obliged to sift historical facts from a great mass of fables and speculations.
After this, he was dismissed, having given Croesus some pain, but no instruction. Aesop, who wrote the fables, being then at Sardis upon Croesus's invitation, and very much esteemed, was concerned that Solon was so ill-received, and gave him this advice: "Solon, let your converse with kings be either short or seasonable." "Nay, rather," replied Solon, "either short or reasonable."
She was often at pains to tell him that there was no such city, that the stories were all fables, and that his grandpapa had wasted his fortune and talents in its search. But the boy believed in the fables, for he liked to think of his father as sailing up the Great Amana, where the deer feed along the banks, until at last he came to the golden city where the men are like gilded statues.
Theirs was an old family, and a historical name interwoven with the destinies of the two hemispheres. Their house was older than the history of the new world, and almost as ancient as the fables of the old world.
Rousseau here analyzes several of La Fontaine's fables, to show the immorality and the danger of their "ethics." He dwells particularly upon the fable of the Fox and the Crow. In this he is right; the morality of the greater part of these fables leaves much to be desired. But there is nothing to prevent the teacher from making the application.
But before the library of Ramses the Egyptian king, there existed in Babylonia collections of books, written not on parchment, nor on the more perishable papyrus, but on clay. Whole poems, fables, laws, and hymns of the gods have been found, stamped in small characters upon baked bricks.
"What do you mean?" "You're too good a sort to enjoy spreading rotten fables about people who are in love with one another." She echoed the words "too good a sort" rather faintly. "Yes. I suppose you you're jealous or something angry because my feelings have changed. I understand that it's natural, and I don't defend myself, you know.
I cannot believe that Jehovah, the God of the Bible, is the Creator of the known universe. The Bible God, Jehovah, is a man-made God, evolved from the idol of an obscure and savage tribe. The Bible shows us this quite plainly. I cannot believe that the Bible and the Testament are historically true. I regard most of the events they record as fables, and most of their characters as myths.
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