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It is a circumstance more remarkable that at the Etruscan national festival, in the exhibition of which the whole twelve cities were represented by a federal priest, games were given like those of the Roman city-festival; we are, however, no longer in a position to answer the question which it suggests, how far the Etruscans were more successful than the Latins in attaining a national form of fine art beyond that of the individual communities.
The work of plundering Etruscan tombs was begun, we have reason to believe, in the time of the early Romans, who were attracted, not merely by the precious metals which they contained, but also by the reputation of their vases, which in the days of the Empire were held in as high esteem as now. Many tombs have doubtless been repeatedly searched.
On comparing with this the domain of the Italians proper, it appears at first, contrasted with the Etruscan riches, almost poor in art. But on a closer view we cannot fail to perceive that both the Sabellian and the Latin nations must have had far more capacity and aptitude for art than the Etruscans.
Within the Casa Italiana there is an exact reproduction of the library of the S. Maria delle Grazie, Milan. Italian Pavilion In the Court Verrochio The arcade which connects the Etruscan Tower with the Bargello Hall separates the smaller court of the Italian Pavilion from the Piazza Grande.
Owen had given her a clasp, composed of two large emerald bosses set with curious antique gems, when she played Brunnhilde. The necklace of gem intaglios, in gold Etruscan filigree settings, he had given her for her Elsa more than her Elsa was worth. For Elizabeth he had given her ropes of equal-sized pearls, and the lustre of the surfaces was considered extraordinary.
Gem-engraving also, although more recent, was in various forms practised in Etruria. Equally dependent on the Greeks, but otherwise quite on a level with the workers in the plastic arts, were the Etruscan designers and painters, who manifested extraordinary activity both in outline-drawing on metal and in monochromatic fresco-painting. Campanian and Sabellian
But while more or less of an Etruscan character continued to mark these regions, it was confined to isolated remnants and fragments of their earlier power; the Etruscan nation no longer reaped the benefit of such gains as were still acquired there by individuals in peaceful commerce or in maritime war.
The Romans, before they knew the Greek poetry, seem to have had no definite imagination of such an assembly of gods. But the Roman and Etruscan races were by no means irreligious. They venerated their departed ancestors, and in each family the worship of these ancestors was an important duty.
Kief, the Jerusalem of Russia, is by nature marked for distinction; she rises like an Etruscan city from the plain; she is flanked by fortifications; she is pleasantly clothed by trees, and height beyond height is crowned by castle or by church.
To him, Verona stood for Catullus, Brindisi for Virgil, Sorrento for Tasso, Florence for "the all Etruscan three," Dante, Petrarch, and Boccaccio, Reggio and Ferrara for Ariosto. It was from Ariosto, perhaps through Camoens, who adopted it, that he took his life motto, "Honour, not honours" "'Tis honour, lovely lady, that calls me to the field, And not a painted eagle upon a painted shield."
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